Tarnsman of Gor

Earth could never know of Gor, the world always on the opposite side of the Sun. But Gor somehow knew about Earth, as Tarl Cabot soon discovered. Taken by force to that savage world, Cabot was forced to become a tarnsman - a warrior who could control the great war birds of Ko-ro-ba.
Gor was a world of slaves and beautiful women, of human domination by the alien, secret Priest-Kings. And it was also the world of Talena, tempestuous daughter of the greatest warlord of Gor. She waited for the man who could subdue her - the man who would be her master.
But was Tarl Cabot that man?

Swordsman of Gor

As the ship of Peisistratus ascends then vanishes, “a sparkle in the bright, blue sky,” a new Gorean adventure begins. Swordsmen of Gor is one of the most compelling novels in the entire 29-volume saga conceived by the incredibly fertile mind of John Norman.

Fresh from his exploits in the Steel Worlds, home of the Kurii, a savage alien race intent on conquering Gor, Tarl Cabot has been returned to an isolated beach, at coordinates apparently specified by the Priest-Kings, the masters of Gor and the enemy of the Kurii. His only companions are his beautiful new slave Cecily, and Ramar, a ferocious sleen bred in the Steel Worlds to hunt and kill. But why has he been returned to such a remote spot? Did the Priest-Kings wish their former agent to serve them once more? Did the Kurii intend to use Cabot to further their own ends? The truth, as Tarl will learn, is darker and deeper than either of these possibilities.

In Swordsmen of Gor you will follow Tarl as he embarks on a new adventure with the Pani, a strange people with mysterious origins, and learn the dark, sinister truth behind his return to Gor, the Counter-Earth.

Quote from Slave Girl

Quote from Slave Girl

Quote from Slave Girl

Quote from Slave Girl

Slave Girl of Gor

Tarl Cabot had resumed his allegiance to the Priest-Kings, the non-human but benevolent rulers of Earth's orbital twin planet, Gor. And accordingly Tarl knew that the battle for the possession of the planet was under way - the Kurii, the beast-like invaders, had made their plans.
There was a girl, once Judy Thornton of Earth, found in the wilderness of Gor. Captured, as such lovely strangers were on that ruthless world, she was to undergo the training that would make of her a slave girl of great value. But unknown to her captors was the fact that she was a tool of the Kurii, that she carried a programmed message that imperiled the future of Gor. It was for possession of her mind and body that Priest-King and Kur-monster battled, while a planet went its way unsuspecting that its very fate was also locked within the slave collar that graced her neck.

Quote from Savages

Quote from Savages

Quote from Savages

Quote from Savages

Quote from Savages

Savages of Gor

The Kur came to Port Kar! Two of the terrible space beasts came to make Tarl Cabot an offer. They, a death-squad, sought the renegade Kur commander, the great Half-Ear, whom Tarl had once battled in the Far North.
But Tarl refused their offer, for Half-Ear was more valuable to the Priest-Kings alive than to the Kur dead. And now he knew it was imperative for him to save that monster from the doom that would fast overtake him.
This meant venturing into the forbidden Barrens of Gor - a vast land of plains and prairies whose cruel masters were tribes of savage red riders and where civilized men were always prey and their women mere trophies of the hunt!
Tarl Cabot returns in one of his greatest adventures.

Quote from Rogue

Quote from Rogue

Rogue of Gor

Jason Marshall learned the meaning of manhood and the power of women, both dominant and submissive, when he was kidnapped from Earth to the Counter-Earth called Gor. Winning his freedom, Jason set out single-handed to win his own place on that gloriously barbaric world on the other side of the sun.
His intent was to find the girl who had been enslaved with him. But that quest thrust him smack in the middle of the war that raged between Imperial Ar and the Salerian Confederation - and the secret schemes of the pirate armada that sought control of the mighty trading artery of the fighting cities.

Quote from Renegades

Quote from Renegades

Quote from Renegades

Quote from Renegades

Renegades of Gor

As the bloody tide of war spread over Gor, Tarl Cabot, outcast by the Pries-Kings, became deeply enmeshed in the military combat between the empire of Ar and the invaders from Cos. His fate would depend upon which proved victorious in the coming confrontation at Ar's besieged river port. And it looked like Tarl himself might prove the deciding factor that would tip the scales of destiny for one side or the other.
With Renegades of Gor, all the complexity and intrigue of John Norman's saga comes together to create an adventure replete with danger, excitement, and romance in the unforgettable realm of Gor - where courage remains meaningful, and pride and honor have never been forgotten.

Brands

THE KEF
It had a vertical bar, a rather strict one, with two curling, frond like extensions, rather
near its base, as though in submission to it. It looked a little like a "K." There were other sorts of brands, too, but the "K-type" brand was the most common.
THE DINA
The Dina is another of the common slave brands found upon Gor. It is a flower with exquisite petals, complementing the feminine beauty of the slave. However, in the north at least, it is a common flower, referred to as the slave flower. Dina later makes it clear that the brand is not that unusual upon Gor.
THE BRAND OF THE FOUR BOSK HORNS
This is the mark that the Tuchuks use to brand their slaves. It is significant that this was also the brand used to mark animals thus reducing the slave to this status.
The MARK OF TREVE

This, like the Kef is a cursive representation of a letter in the Gorean alphabet. Kai would imagine that this is a T in shape, perhaps also with a strict vertical bar like the Kef and with the crosspiece being cursive in design. This mark would generally only be found on girls who had been enslaved by those of Treve.
THE BRAND OF TORVALDSLAND


found rather frequently in the north, consisted of a half circle, with at its right tip, adjoining it, a steep diagonal line. The half circle is about an inch and a quarter in width, and the diagonal line about an inch and a quarter in height. The brand is, like many symbolic. In the north, the bond-maid is sometimes referred to as a woman whose belly lies beneath the sword.
THE TAHARIC SLAVE MARK
The contact surface of the iron would be formed into the Taharic character 'Kef'
...Taharic is a very graceful script. It makes no distinctions between capital and
small letters and little distinction between printed and cursive script.....The initial
printed letter of 'Kajira', rather than the cursive letter, as generally, is used as the
common brand for women in the Tahari. Both the cursive letter in common Gorean and the printed letter in Taharic are rather lovely, both being somewhat floral in appearance.
Penalty Brands


Penalty brands would have a deterrent effect, in that the punishment would be very painful and the brands would remain forever marking the girl as a thief and a liar.

Collars

The common Gorean slave collar
This collar was worn by most slave girls on Gor. The common collar on Gor was a hinged circular band which was flat and locked snugly on the girls throat. There is some debate about the nature of the lock.
Plate Collars

These collars were usually given to low slaves or slaves who had not yet been trained sufficiently to be given a lock collar. They were straight bars of iron which were curved about the girl's necks.
Turian Collars


The Turian collar worn by girls held as slaves in Turia differed from the standard locking collar in that it was more of a circular ring which was hinged and fitted more loosely than a standard slave collar.
Rope Collars


Rope collars were used by those of the Peasant caste to denote slaves. They were collars made simply with rope
The Bondage Strings of the Innuit


The Innuit tied strings around the throats of their women to indicate bondage. Imnak does this to Poalu in Beasts of Gor. Once he has done this she is a slave. Slaves were also identified by loops of binding fiber sewn into their clothes. If they were white-skinned these tokens of bondage were not really necessary as this alone would identify them as slaves. The security in this, again is not perfect, but the girls would again be known as slaves in a small community and as such would have little success in escaping.
Beaded Collars of the Red Savages


The slave girl living in the Barrens would be very much kept in bondage by her environment. She could not expect to survive alone in the desert and would thus need the protection of her Master. He could quite easily check that her collar had not been tampered with by checking the accuracy of the knots.
Capture Collar


A loop of chain controlled by two wooden handles so that it is easy to block off the slave's air supply as a measure of control.
Coffle Collar


Various types of steel collars with rings front and/or back to hook 3 to 4 ft lengths of chain between them; some hinged in the back.
Cord Collar


A collar made of cord fashioned from the rence plant it is worn by rencer slaves and carries a small disk to identify the owner.
Dance Collar
A collar to which light- weight (but effective) chain has been attached in order to set off the dancer; a common type consists of a large oval of chain to which wrist cuffs and/or ankle cuffs are attached; once the two sides of the oval have been attached to a ring on the collar; there are variations depending on.
Gorean Collar


A light steel like band, a badge of servitude. Flat, snug.
Kur Collar


A high, locking, leather collar which is used to identify Kur slaves.
Leather Leash Collar


A leather slave collar with attached which may be used when the slave is to be led, usually for reasons of security.
Lock Collar


A hinged collar easily removed by the use of a key; usually of flat stock c. 1-1/2 inches to 2 inches high; usually worn by trained slaves; the lock has one pin for each of the letters in the word 'kajira'.
Message Collar


worn by slaves who convey messages, it is a thick, high, leather collar, fashioned by Turians, literally sewn around her throat. Sewn inside, within the leather itself is a message, written on a small piece of rolled rence paper. The slave girl often does not know that her collar carries a message and of course would never know it's contents.
Northern Collar


a utilitarian sounding collar made of black iron with an iron ring to be used if a chain is attached. It is riveted around the neck of the bond-maid.
Plank Collar


A plank collar is used on slave benches. It is a heavy wooden plank with five semicircular openings, when the plank is lifted it provides holding collars for five slaves. The plank is then chained down. The primary holding arrangement for women on the benches, however, is not chains. Each place on the bench is fitted with ankle and wrist stocks, and for each bench there is a plank collar, a plank which opens horizontally, each half of which contains five matching, semicircular openings, which, when it is set on pinions, closed, and chained in place, provides five sturdy, wooden enclosures for the throats of women. The plank is thick and thus the girls's chins are held high. The plank is further reinforced between each girl with a narrowly curved iron band, the open ends of which are pierced; this is slid tight in its slots, in its metal retainers, about the boards, and secured in place with a four-inch metal pin, which may or may not be locked in place.
Retaining Collar


Usually placed in addition to another collar, close fitting, heavy and thick, with a thick linked chain attached, about 4’ long, it fastens to a stout ring.
Shipping Collar
a temporary collar showing that the slave girl is part of a cargo
Sleeve, Collar


A sleeve made out of cloth of some type which goes around the collar and normally would match the outfit the slave is wearing. Used only in some cities.
String Collar
four looped strings, each differently knotted by the Master to identify the slave's owner, worn by the slaves of the Red Hunters.


Torvaldsland Collar
a collar of black iron, riveted upon the slave, with a welded ring


Temporary Slave Collar
flat and close fitting, identifies the slave as a slave provisionally in the custody of Magistrates


Transport Collar
a collar with a metal tag attached listing destination or other vital information, to be used during transport of a slave.

Slave Types

This here is useful information for those who is following the slave path. Note, that slaves are broken down into two major categories: white silk and red silk . The other silk colors, means nothing on Gor.

The color of silks, bears no references to the training level, that might be seen within the online lifestyle. Simply, the white silks are virgin and the red are not, even though a virgin could be fully trained as a Pleasure Slave, while a red silk newly recruited from Earth, who didn’t even speak Gorean yet. So, the different color of silks one might see within the different online Homes, that was told to earn them throughout the training, which isn’t truly based on any of information from the books.
Now, the condition of slavery, requires no overt sign of bondage. Even though, such items are useful, mostly for marking property or the identity of Owner and such. Plus, what a slave wears, is at the whim of the Owner. Even an uncollared, unbranded slave is a slave.
There is an average of twenty-five different slave types. I will mark down as much information to each, as I can.
-Bathe Girls
-Kajirae who serve at the public or private bathes.
-Barbarians
-People from Earth or one who doesn’t speak another’s language, like Gorean. However, it is often used as an insult, regarding the slave girls from Earth.
-Beggar Slaves
-Pitiful of all. A typical slave who tried to runaway and was hamstrung as punishment. Now, since they can’t walk only drag themselves around; they sit and beg for coins on the street, returning their “earnings” to their Owners.
-Bondmaids
-Northern slave girls from the Torvaldsland Territories. These girls are also known as “a girl whose belly lies under the sword.”
-Camp Slaves
-Owned by authorized Merchants, who hold contracts for certain seasons or campaigns. The girls are rented out to soldiers at fees which are fixed and almost nominal.
-Coin Girl
-The lowest form of street girl. Chained and belled, the girl carries a small coin box at dusk. A man will pay her, placing a coin within the box, then he may have his way with her.
 -Display Girl
-A kajira, whose primary purpose is for the display of her beauty, to reflect the wealth and status of her Owner.
-Exotics
-A breed of slaves, whose characteristics have been carefully chosen by their breeders.
-Feast Slaves
-Girls usually rented in groups, to individuals or organizations for feasts, parties, and other functions.
-Flute Girls
-Able to play single or double flute. Usually rented out for parties or other functions. Also, will commonly served the pleasures of guests.
-Handmaidens
-Slave of the Free Women.
-Kettle and Mat Girl
-A slave, whose functions divided between household tasks and sexual servitude.
-Luck Girl
-Slaves that are kept as mascots on board ships, usually reserved for the captain’s use, though they maybe shared.
-Lure Girl
A slave, who serves as bait, by pretending to desire a man and distracts him, while the Owner and his men captures the unfortunate victim.
-Message Girl
-Used to send secret messages. Mostly illiterate.
-Muls
-Male and female slaves, kept by the Priest-Kings to maintain the Nest.
-Natural Slave
-A slave, who may need training, to refine her nature, but in whose heart is already a slave.
-Paga Slaves
-Girls, who work in paga taverns, whose use is bought with a bowl of paga.
-Passion Slaves
-Exotics, who are bred for passionate response.
-Pierced-ear Girl
-A slave, whose ears have been pierced. Most girls despairs this, for it means that they will never be freed.
 -Pleasure Slave
-Trained in the art of love, and are typically very passionate and needy.
-Pot Girl
-Lowest form of slaves, whose main function is cooking, cleaning, and other menial tasks.
-Secret Slave
-A slave, who most believe is free. Her true status is concealed by the Owner, but it is difficult to maintain for a long time as the girl become more like a slave.
-State Slave
-Owned by the city.
-Thrall
-Northern male slaves from the Torvaldsland Territories.
-Tower Slaves
-Slaves of high positions in a household, of course, being slaves, they are still available for any use their Owner sees fit.
-Work Slaves
-Slaves serving almost a penal function in some cases. Generally, considered as the lowest of slaves.

Slave Punishments

There are many ways of punishing misbehaving Gorean slaves. Here are several of the ones described in the novels.

Hanging from an A frame: A captive or slave could be hung from her wrists usually nude, from two sloping beams planted on the ground and crossing at the top, forming like an A without the crossbar. Her ankles could be tied widely apart to rings on the base of the poles. A frame or posts were also used.
Ankle Rack: Like the stocks used on earth, the ankle racks are two hinged wooden planks with semi-circular openings for holding the ankles of the slave.
Bastinado: This punishment is not described in too much detail, so we will suppose that it consists on hitting the soles of the slave's feet with a rod, because that is the modern meaning of the word.
Blindfold: Consists of three pieces, usually two rounded pieces of soft felt, three to four inches in diameter for covering the eyes, and the binding which usually consists of two or more turns of a dark, thick, folded cloth, or scarf, knotted behind the head. It is used as a punishment.
Bracelets, Hook: Soft leather cuffs with locks and snaps. The snaps are self closing devices. They are used to hold the cuffs together, holding the hands of the slave at her front or back. Even when a snap is easily open if you can reach it, they can hold somebody with the movements restricted by the cuffs. A slave in one of the novels feels herself utterly defenseless considering how easy are the snaps for her Master to open, and how out of reach they are for her. They can be used as a means of restraint or as a punishment.
Bracelets, Slave Metal handcuffs used for restraining the slave.
Branding Rack: A metal rack locked on a girl placed upright. Her wrists are placed behind her, in wrists clamps, each on a vertical flat metal bar. Feet and knees are shackled on a rotating metal platform. The branding rack rotates for bringing into view the place to be branded with red-hot irons. Branding is used for identifying a slave, but they also can be used for punishment.
Couching: A common way of punishing a slave (and also a free woman) is to tie her with a chain to a ring at the foot of her Master's (or Free Companion's) bed, making her to sleep naked on the floor, without blankets or mattress.
Cuffing: Of course, a Master will slap his slave's face as frequently as needed. The slaps are as hard as for the slave mentioning a taste of blood in her mouth, or for throwing her to the floor.
Deck Cage: On a ship, the slave could be held naked inside a small cage on the deck. If the weather is too rough, it could be covered with tarpaulin.
Denial of Clothing: A slave is owned, and she owns nothing, but the master can allow her to have some clothing or jewelry. Even when slave clothing is not for covering but for revealing, it is usually treasured by the slave, which can show it as a signal of her master satisfaction with her. That is why its removal can be used as a punishment, more than for the humiliation of being in the nude, what is not unusual for the slave.
Four Chains: Wrists are tied with a chain of about 18" and so are the ankles. Each wrist is also chained to the corresponding ankle, making the "four chains".
Gag: The normal slave gag consists on rolled leather wadding that goes into the mouth, secured by a wide strap that covers the mouth and secures at the back of the head. It has attached smaller straps that secure it at the upper lip and to the chin, and that are tightened also at the back of the head. It can be used when there is a need to mute the slave, or as a punishment.
Iron Belt: It is like a "Terran" chastity belt. It consists of a curved iron bar for the waist, and a contoured band that goes between the slaves legs, secured at the back with a lock to the waist bar.
Leash: A fifteen inches leash secured to the slave's collar and used to lead her. For leading, part of the leash will be coiled on the Master's hand. Its full length is used for leash dances and for bounding her. The folded end can be used for slave discipline.
Lock Gag: A leather gag locked to the head by a curved metal bar about a quarter of an inch in diameter. As it cannot be removed, the slave's hands can be left free for working.
Penalty Brands: Small (1/4 of an inch) brands used for punishment. They have the form of Gorean letters. In "Captive of Gor" the main character is marked with the initial letters of the words liar, thief, and traitress.
Pleasure Rack: Made from wood, with gear for adjusting it to many positions. It serves two major purposes: exhibiting and displaying the slave and holding the female in any position one pleases for punishing or using her.
Post Strap/Harness: The slave belt's front ring is tied to a post by a strap that goes around it. The slave can move around the post, but cannot go far from it.
Put to the oar: The slave is tied to the oar of a ship, her head in the direction of and near the paddle. When rowing, her head will go down and up the water at the rhythm of the oar's paddle. She can also be attacked by Gor's sea carnivores.
Removal of Name: A slave has no name but that given to her by her master. Removing it from her is humiliating, because she then becomes a nameless animal, not even worth a name.
Sexual Discipline: *Arousing the slave (remember her unleashed sexuality) and letting her bound and suffering her frustration *Giving her for being used by another man, perhaps a slave. (Being used by a slave, not a real man, is humiliating for a Gorean slave)
Shackles: Shackling her ankles with a ten inches chain, and forcing her to walk with short steps.
Shearing (or shaving) of Hair: A slave must be beautiful and pleasing to men. Shearing her hair or shaving it is a humiliating punishment, because it lessens her beauty and because it shows to the world that she has been displeasing to her master. It also tells the girl that she is near harsher punishments if she misbehaves again.
Slave Box: It is an iron box, four feet long and three feet wide, with a depth of about eighteen inches. It opens from the top and has at each side of the lid a circle of small holes, the only openings for breathing or light. A girl could be left for days on such a box.
Slave Goad: Like an Earth cattle prod, an electrified instrument that gives an electric shock to the one touched by its point. The one used for slaves in Gor has an intensity dial that can be set to give from a painful shock to a mortal one.
Slave Hobble: A shackle with about seven inches of chain that ties one of the slave's wrists to the opposite ankle. The slave is kept usually kneeling.
Slave Hood: A slave hood can be just a sack of canvas or leather with drawstrings at the back of the head, or a more elaborate leathern device with a ball gag and rings for a padlock. It haves no openings for the eyes, mouth or ears. It can be used for punishment or when transporting a slave.
Slave Pens: Cages about 4 paces by 4 paces, in which up to 20 slaves could be housed.
Slave Sack (dung sack): A sack made of leather that can be pulled up over the slave's head covering the full body, and laced shut. A night on the sack is considered a light punishment.
Turian Slave Bar: A metal bar, with a collar at each end and, behind each of the collars, manacles which fasten the prisoner's hands behind his neck. It is used to hold two slaves.
Whipping: As always in slavery, whipping is the most common punishment for slave girls. For severe whippings the girl is tied naked to a post with her hands up. A whipping could be given to a girl as a part of the enslavement ceremony, for teaching her the possible results of being unpleasant. Many kinds of instruments or whips could be used for a whipping, the most common being: The kurt. A stout whip, with a long handle, which might be wielded with two hands, and five soft, wide lashing thongs, each about a yard long. The quirt. As on Earth, a riding whip about two feet in length, with flat thongs. The belt. The wide and heavy man's belt is commonly used to lash the slaves. The switch. A light tree branch or similar rod, used for punishing minor faults.
Withholding food: It could be total deprivation, or putting her on bread and water. Considered a mild punishment.
Yoke, Girl or Northern: A yoke made from wood or from the bones of a whale. It consists of a rod with one hole at each end and one in the middle. The left hand is tied with a strap that is then passed to the back thru one of the end holes, then to the front thru the middle hole, wrapped twice around the slave's neck, passed again back thru the neck's hole and then to the front thru the other end's hole, to be tied to the right wrist. The slaves has so the rod on the back of the neck and one hand to each side at shoulder's height. It can be used for punishment, for transport, or for leaving a girl helpless on the furs for using her (The Goreans use to sleep on furs, on the floor or on the bed, so furs also means the bed).
Yoke, Stock: Similar to the Terran stocks, a pair of hinged planks, with matched semicircular openings for the slave's head and wrists. Is commonly used with the girl on her back. If the plank is wide enough the slave cannot see what her Master is doing.

Slave General Rules

1) All Freepersons are to be addressed as either Master or Mistress.

2) Serve EVERY Master or Mistress as if your life, or your smooth flesh depends on it for it does. A lash is quick in the hand of a Free, so is a boot into the sleen pits?
3) While a Freeperson may not always be right, they are, by definition, never WRONG. Slaves always have the last word in any disagreement?the words ?Yes Master??
4) Jealousy and possessiveness have killed more slaves then disobedience, so has having an attitude?you?re a slave, a bondmaid, REMEMBER your place.
5) Slaves do not use the first person pronoun. There is not ?I,? ?me? or ?mine? in a slaves vocabulary.
6) Learning to be pleasing and skilled slave/bondmaid is key. Learn to show excitement and to enjoy the freedoms that come with being enslaved. You are not robots or puppets. You are a collared slave, so enjoy and show as such.
7) Your collar carries the honor of your Owner. Your attitude can make it as light as a feather or as heavy as a mountain.
8) If there are none requiring service, use the time to clean, cook, bake and do the chores associated with day to day workings. Don?t be lazy.
9) Slaves possess nothing not given to them by their owner, including their name. What is given, can be taken away. If you are entrusted to carry a name for an owner, or silks, or jewelry, remember that these can be removed as easily as they were given.
10) The merest whim of your owner is your highest law. And lawbreakers are punished.
 And lastly and most important....ABSOLUTE OBEDIENCE!!!

Slave Dances

Slave dances are any of the sensuous dances performed by slave girls to entertain their Masters. Designed to display the sexual heat of the performer, and invite her use by Masters. The slave dances are in many of the Gor booksSlave:
this dance can be done in any style a girl chooses. It will begin with the girl seemingly a timid virginal creature standing uncertain in the middle of the room.. her eyes are wide and she is usually nude. She will show in the beginning of the dance that she fights being caught by a Master and then she will show how her fight slowly leaves her as the Master subdues her and makes her his own. In the final stage of this dance the girl will show her willing submission to her Master and her desire to please him in anyway. Often a chain and collar are used by a Master to "subdue" the girl.
Chain:
the chain dance is a dance where a kajira obtains a length of chain from a Master and uses it in a dance showing her submission and acceptance of being a slave. The chain will be wrapped around her body and she will writhe and fight at first but will be succumb by her desire and the fire within her belly and in the end she will rejoice at having the chain around her slave's heart.
Capture:
a dance recounting the time in a slave's life when she was captured and made a slave
Serving/Scarf:
this dance is performed using ribbons or scarves as a form of enticement for the Master. The girl will in the Serving dance offer to serve one Master in a very special way. She will then put on a costume of scarves or use a ribbon as well as a goblet which is used in this example to arouse herself and the Master falling to his knees and performing a heated serve of kalana to him.
Just remember when performing the serving dance the main goal is to make the Master desire not only the drink but the girl, however a girl's release in this dance is not necessarily obtained.
Beauty:
The girl wore Gorean dancing silk. It hung low upon her bared hips, and fell to her ankles. It was scarlet, diaphanous. A front corner of the silk was taken behind her and thrust, loose and draped, into the rolled silk knotted about her hips; a back corner of the silk was drawn before her and thrust loosely, draped, into the rolled silk at her right hip. Low on her hips she wore a belt of small denomination, threaded, overlapping golden coins. A veil concealed her muchly from us, it thrust into the strap of the coined halter at her left shoulder, and into the coined belt at her right hip. On her arms she wore numerous armlets and bracelets. On the thumb and first finger of both her left and right hand were golden finger cymbals.
Belt:
The belt dance is performed with a Warrior. The dance receives its name from the fact that the girls head is not suppose to rise above the Warrior's belt, but only purists adhere to this. Wherever this dance is performed it is essential that the girl never rises to her feet.
Needs:
This dance usually consists of five phases
First phase of this dance beginning with a girl's indifference to her situation.
Second phase will show her fears and restlessness as her desires are becoming more apparent to herself and yet she still struggles against them.. toward the end of this phase she will begin to have doubts in herself as to whether she is worthy enough to please the men around her and this will be made clear in her dance.
Third phase shows her acceptance of her desires and her willingness to please the Master's before her. The kajira will posture and present herself to the Master's with an almost "ladylike" charm and finesse. During this phase she is not yet taken by a Master even though she presents herself to them as a most willing slave and again she has questions about herself.
Fourth phase *The Heat of the Collared She-Sleen* in this phase the girl becomes wanton in her need and desire, writhing on the floor and opening herself wide for the Master's so they might see the visible evidence of her need to be used by them.
Fifth and final stage of the dance the girl continues to beg to be used.. her actions show that she knows deep within her that she is a slave and her only desire is to be pleasing. She will reach out to the Master's and beg them to touch her and make her a slave completely.
Submission:
this dance is a special dance a girl does for her one true Master. Each dance will be different and unique.
Whip:
the whip dance is a dance that involves the participation of a Master who will crack a whip above the girl's head as she dances or in many instances where the girl will be allowed the use of the whip and will crack it herself during her dance...this dance is to show a girl's fear of being punished and also the desire that can often accompany such fears..
Veil:
there is a definite progression as the 7 veils are shed from the body. You could tell the story of a FreeWoman made slave... or of a slave coming out of her shell into her full sexuality... veils shed like a cocoon.
Sa-eela:
The Sa-eela is one of the most moving, deeply rhythmic and erotic of the slaves dances of Gor. It belongs, generally to the genre of dances commonly known as the Lure Dances of the Love-Starved Slave Girl. The common theme of the genre, of course, is the attempt on the part of a neglected slave to call herself to the attention of the master. The Sa-eela, usually performed in the nude, as though by a low slave, and by a girl freed of all impediments except her collar, is one of the most powerful of slave dances of Gor. It is done rather differently in different cities but the variations practiced in the river towns and, generally in the Vosk basin, are in my opinion, among the finest.
There is no standardization for better or worse, in Gorean slave dance. Not only can the dances differ from city to city, but even from tavern to tavern, and from girl to girl. This is because each girl, in her own way, brings the nature of her own body, her own dispositions, her own sensuality and needs, her own personality, to the dance..
For the woman, slave dance is a uniquely personal and creative art form. Too, it provides her with a wondrous modality for deeply intimate self-expression.. The Sa-eela, of course is not the sort of dance which could be performed by a free woman.
Seduction:
This dance begins with the kajira standing before her Master. It is a pure, lustful seduction dance. The kajira is attempting to seduce her Master, to let him know that the fire of her desire for him is consuming her. She is trying to interest him in being pleased by her.
Love:
The Love Dance of the Newly Collared Slave Girl has many variations, in the different cities of Gor, but the common theme is that the girl dances her joy that she will soon lie in the arms of a strong master.
Placatory:
This dance is designed to assuage the anger of a Master. It is usually free-form, depending on the situation. The "Contrition Dance" of Turia is an example of a formal placatory dance.
Tether:
I jerked the tether on her throat. "This is a tether," I said, "It is to be well incorporated in your dance. You are a tethered slave. Do not forget it. You may fight the tether, you may love it. It may confine your body, you may use it to caress your body, an invitation to your master, a surrogate symbol of his domination of you. You need not dance always on your feet. A woman can dance beautifully on her knees.
Thong:
in this dance a girl has 6 leather thongs attached to her and she dances as a girl who is caught unwillingly. She will show her defiance and anger until she is at last caught up by the six Master's who hold her and presented to one Master who asked her if she is slave to which she will say loud and strong.. "Yes, I am slave!"
Tile:
this dance is done on red tiles before a Master. In this dance a girl wishes to entice a Master to use her by touching her own body and gesturing to him that she is most willing to see to his every need and is done completely upon the tiles often while a girl lays upon her back or on her belly. The girl is usually attached to a slave ring below the Master's couch.
Pole:
the pole dance is a dance in which the kajira will seemingly arouse and entice the pole or "Master" with a sensual dance that involves her touching and caressing Him (the pole) and in the end being given her release by rubbing her moist flesh against him. This dance can be done using a variety of items to secure the kajira to the pole as is the main fashion of this dance such as a Master's belt or a long silk scarf kajira may use nothing at all to bind herself to the pole as the emphasis is on the pole itself and the kajira's use of her body.

Slave Positions part 2

Bara ******** : Punishment position, girl on her belly, hands behind back wrists crossed, ankles crossed, head to the left... bound, thrown to your stomach, wrists pulled, crossed and bound behind your back, ankles crossed and bound together at times also another piece of binding fiber may be used to bind your wrists and ankles completely together, bowing your back in order to do so, in this way the slave is unable to move at all.

Belly ******** : Submissive position, girl on her belly, hands at the sides with palms up, legs spread wide, head to the left, resting her chin on the Master's feet. in this position you go to your stomach at the Masters feet, placing your chin to his feet and kissing them before turning your head and placing your cheek to his feet...if you a distance from him and are ordered to position -you would crawl upon your belly, using your fingers and toes, as well as shimmying your body across the floor to reach him where then you would kiss his feet and place your cheek against them.. if you REALLY want to show your trust and submissiveness, you would place his foot to rest upon your neck before placing hands behind back, giving him complete control of your life.
Blanket ****** :When a blanket or cloak or covering of any sort is thrown over a slave girl she may not speak or rise; she must remain silent until the blanket is lifted by a free person.
Bracelets ******* : her hips slightly turned to one side, her back and shoulders erect, her wrists crossed behind her back and her head turned to the left, in anticipation of having slave bracelets attached to her wrists; by the book, you would turn your back to the Master to have the bracelets attached, to give them better access to your wrists, making things as easy as is possible for them by the book..volume 5..page 214.. Bracelets: wrists brought behind the back and extended out, head thrown back, and to one side, Turn your back to the Master so the bracelets can be attached.
Capture*******lays down on back, bending knees to place feet flat on the ground, hands at sides and remains motionless.
Collaring ******* the slave kneels at the Master's feet and leans her body back, sitting upon her heels, with her arms extended upward, crossed at the wrists, and her head beneath them lowered in supplication...this is known as by the book submit if you are told to submit to somebody this is what they are speaking of you doing.. now. .you have two choices.. they have to collar you or kill you...it is the Master's code.. if you wish to lay yourself COMPLETELY to their hands.. you MAY lay your hands, once crossed into His, it would show your complete submission and giving of yourself
Crawl ******* gets down on all fours, palms to elbows flat on floor...buttocks in the air...forehead close but not touching the floor....crawls to just an inch from Master's feet. this is also most often a punishment position, if you have done badly...and KNOW you have done EXTREMELY wrong..you may do this crawl to go to your Master or Mistress to beg forgiveness; do NOT want to drag your forehead on the ground here.
Display*******stands, feet about shoulder's width apart, fingers laced behind the neck with elbows back, head up and eyes lowered.
Gorean Bow ******** kneels in nadu position, she bends her body backwards, her head to the floor; she places her hands by her head, and pulls up into a back bend. (this position is very painful to maintain for longer than 5 min) Hair ****** the slave stands, her feet flat on the floor, and bows gracefully at the waist, so that her hair might fall forward for display, or to be shorn, seized, or used for any purpose that the Master desires. as you know many things are done with your hair from being led around, wiping dust from an object, to bathing your Master
Hair*******Bends at the waist at Owner's side to be lead by the hair, never rising.
Heel ******* goes to Master and kneels in nadu behind and to his left...one step back and one step sideways awaits further orders...this command MAY follow lesha the Master may also command this position of you without the leash if he knows he can trust you..in accordance with volume 11 you would stay to his LEFT side.. by keeping 1-2 steps back..you would be well enough out of the way if he should have to draw his sword..you will have no problem keeping your pretty neck..by the book...volume 11...if you are seen on the Masters right side it is said to be thought that the slave is in disfavour.. many times, if you are with the Master, following him in heel...and in a busy place, he may require you to press your body to his left shoulder and back..so that he will know you are with him, but that is rarely done.
High-Harness*******holds head very high, exposing the neck.
Karta ******** kneels and touches her forehead to the floor ... stretches her arms out before her with palms face down and fingers spread. as stated earlier you would immediately drop into nadu, and describe position. (kar-ta....is at the entry) kar-ta is most widely used at the door to beg entry...; tis also the position that is used to beg anything.
Kneel at the Coffle*******nadu, and lift either the left or right wrist outward, depending on the type of coffle, so that the wrist can be attached to a wrist ring within the coffle chain.
Leading*******moves behind Owner, slightly to the left or right side, depending on which hand is dominant, bending at the waist, with hands behind back and placing the side of the head to the Owner's hip, that way can be lead by the hair while walking.
Lesha ******** Standard kneeling position, girl on her knees, eyes lowered. Her chin up, her head high and turned to the left so a leash may be attached to her collar, with her chin up and her back and shoulders straight. Her wrists are extended behind her, side by side, in a position to be locked into chained slave bracelets.
Nadu ******** This position is meant to be a proud one for the slave, her head high in the honor of serving you. In this position the slave kneels, she sits upon her heels with her shoulders and back straight, her breasts thrust out her belly in, and her head held high and her eyes lowered in respect. Her thighs widely spread, her hands rest upon her thighs palms up.
Nestle*******fits against the Owner's side, snuggling into the crook of the arm.
Obedience*******lays on belly, down beside Owner, placing chin on feet.
Obeisance ***** The slave goes to the floor, laying upon her stomach, face down before the Master. She turns her head and places her cheek against his feet, kissing them lightly in a gesture of love and submission. you can even place their foot to rest upon your neck would NOT suggest you use this position with just anyone.
Prostrate*******kneeling, forehead to floor, arms stretched out with palms faced down and fingers spread.
Run*******runs, keepin legs rigid and unbending at the knees, short rapid steps. Feet must stay close to the surface of floor or ground.
She-Sleen ****** the slave falls to her hands and knees, her head down on the floor, her hindquarters up thrust for viewing and/or her Masters pleasure (either sexual or whipped upon the bottom)...serving in this position of the she-sleen is an instruction whereby the slave performs her regular duties while upon her hands and knees without the benefit of the use of her hands, now in this position she may NOT rise to her feet and may use only her mouth and teeth to grasp and manipulate objects...this position can be one of either punishment or pleasure.
She-Quadruped*******used for punishment. Stays on all fours, like an animal and cannot speak or reach for things with hands. Sometimes, even tricks are taught without the help of verbal clues.
Slaver's Kiss ******* The slave falls to the floor upon all fours, and lowers her head to the ground, with her buttocks thrust upward and her thighs widely spread, exposing her hindquarters fully in preparation for the caress of the whip.
Slave Lips ***** the slave turns her head up to the Master, her lips pursed in a sensual kissing position. She remains motionless, her lips thusly puckered, and may not move until she is granted the kiss of a Master...by the book, volume 3 page 235, the description is...lips: go to your Master, when ordered, and show your love for Him, kissing Him and savoring His lips
 Slave Rape*******there are many types, but the standard is to lay still and supine in preperation to be raped.
Standard Binding*******lay on the ground, wrists crossed behind the back with ankles crossed, ready to be binded by fibers or bracelets.
Submission*******kneels bends at waist, places cheek to the floor, takes the Owner's right foot and places it upon the neck, crossing wrists behind the back.
Sula ********* a slave lays upon her back, her hands at her sides, palms upward, her legs widely spread, left knee bent and pushed out a bit, eyes lowered, to await her Master's pleasure. Now this position IS in the book, but it was not given a name; specifically it was in volume 6; most often this position would be done in the privacy of an alcove, when you are pleasuring your Master
Sula-ki ******** This position is almost identical to the Sula position, except once the slave has assumed the Sula position she slowly lifts her hips up off the floor, as if beckoning him with her body, encouraging her sexual use by him. here, your feet would be planted on the floor, knees bent so you can raise your body up to him, once you are in the air...stay still, do NOT pump the air.
Table*******move to hands and knees, locking elbows, knees spread and firmly to the floor, make back smooth and level, head held level ((can be used to set things on or as a foot rest)).
Tower **** she kneels with her knees together & with her wrists crossed in front of her, as if for binding, palms flat and facing downward (for one is not offering) Also, male slaves are to kneel in tower at all times, unless told otherwise.
Usage*******on hands and knees, legs parted widely, head straight, hair falling across back, remains motionless, waiting for commands.
Walk *** When this command is given, a slave turns gracefully, her hair caressing her body as she turns. She walks quietly across the room, her feet hardly seeming to leave the ground, her hips swaying sensually, her body erect and proud. When she reaches her objective she halts and stands, her body erect, her shoulders back, her chest thrust forward, her belly in. She turns her hips out a bit, her hands at her sides, and points one foot. Her chin is held high and her eyes are lowered.
Whipping *** A slave quickly drops to her knees and raises her hips. She places her head to the floor and then crosses her arms across her belly. She waits motionless ready to accept her Master's punishment. Slave's with long hair will pull their hair from their backs so their backs are exposed for the whip.

Book Based Slave Training

The training of a Pleasure Slave, is long and arduous. On the first week, a slave does nothing, but kneel before a mirror in the position of a pleasure slave (kneeling in nadu) for several Ahn a day.

The second week, she will kneel the same way, but repeats out loud, ?La Kajira? (?I am a slave girl?). During the third and forth weeks, she will learn the laws of natural order, relation of the sexes, and that women are natural slaves. Of course, the girl is allowed to argue and debate, during this time. Also, during the forth week, the girl will learn to respond to certain questions, some of them being quite complex.
In the fifth week, kneeling again, repeating the questions and answers, she learned. And in the sixth week, she kneels and repeats out loud, ?I love being a slave girl.?
The next few weeks will include, a period of exercises. Barbarians (Earth girls), learns Gorean, when not being trained. After the exercise training, they?ll learn how to stand, walk, kneel, recline, eat and drink. They also learn domestic chores, as well as dances, songs, variety of kisses, caresses and sexual techniques.
Now, most slaves will learn how to respond to various questions. Here is an example of common questions and answers:

What are you?

*A slave girl.

What is a slave girl?

*A girl who is owned.

Are you a slave girl?

*Yes, Master.

Who owns you?

*My Master owns me.

Who trains you?

*Everyone I interact with, gives me an opportunity to learn, in a formal way, my Master may choose anyone to train his slave.

Do you have a brand?

*No, Master.

Why?

*Because, I have not yet proven my slavery.

Do you wear a collar?

*Yes, Master.

What sort of collar do you wear?

*A personal collar, Master, it shows that I belong fully to my Master and he may do whatever he wishes with his slave.

What is the common purpose of a collar?

*The collar has four common purposes, Master.

*First, it visibly designates me as a slave, as a brand might not, if it should be covered by clothing.

*Second, it impresses my slavery upon me.

*Thirdly, it identifies my Master.

*Fourthly, it makes it easier to leash me.

Do you like being a slave girl?

*Yes, Master.

What does a slave girl want more than anything?

*To please her Master.

What are you?

*A slave girl.

What do you want more than anything?

*For my Owner to find me pleasing.

Slave's Nightly Prayer

I fear no other power, for Master is always near.

He is my Savior.

He is my guiding light.

He is my life.

He is my will.

He possesses my soul.

He engulfs my mind.

He inflames my heart.

He consumes my body.

He is my Teacher.

He is my Mentor.

He is my Lover.

He is my Friend.

He is my True Master.

He owns me completely.

I am His eternal slave.

I have no wants or needs, only the deep desire to strive my best to fulfill all of Master’s needs and desires, completely for He is my true happiness, my every reason for living and loving so completely.
Master, I thank you, Master, for all the gifts that you have given to me.
The gift of rediscovery of my true inner being. For accepting my submission to You for claiming and collaring me as Your slave.
The gift of freedom. Within Your love and ownership of me.
The gift of time and presence. That You so allow me.
May I have the strength to continue my growth deep within Your love and dominance over me, now and forever.
Master and slave.

Amen.

Slave's Prayer

Allow girl the strength to answer questions she can not fathom.

Allow girl the spirit to know His needs.

Allow girl the serenity to serve Him in peace.

Allow girl the love to show Him herself.

Allow girl the tenderness to comfort Him.

Allow girl the wisdom to be an asset to Him.

Let girl be able to show Him each day her love of her service to Him.

Let girl open herself up too completely belong to Him.

Let girl accept her punishment with the grace of a woman.

Let girl learn to please Him, beyond herself.

Grant girl the power to give herself to Him completely.

Give girl the strength to please us both.

Permit girl to love herself, in loving Him.

For it is her greatest wish, her highest power to make His life complete as He makes her’s.

m'shan fahgan {slave creed}

Ne Vana'she, don kajira.

Ne Vana'she, don me'shan.

Ne fahgan, don fermi.

Ne kari neshuk, don fon fori.

Vidrew jul?

Sis, Ne Vana'she, don kajira.

Raiders of Gor

Tarl Cabot was a warrior of Gor - the world that Earth could never see. Normally, he was a proud and mighty warrior. But now he was bound for Port Kar, the only city with no home stone to give it a heart. It was a city of reavers and looters... of outcasts without allegiance. Merchants and pirates stalked its quays beside the beautiful Sea of Thassa.

Tarl Cabot was headed for the sinkhole of the planet, a teeming den of iniquity. And that was no place for an honest warrior from far Ko-ro-ba.

But he was no longer Tarl Cabot, the warrior. Now he was only Bosk... a miserable slave!

Quote from Prize

Prize of Gor

Ellen is a beautiful young slave girl on the planet Gor. Yet she was not always thus. For nearly sixty years she was a woman of Earth, but life had largely passed her by. Then, following an apparently chance encounter at the opera with a strangely familiar young man, an echo from her past, she finds herself transported from Earth to Gor. Here she discovers the true identity of her kidnapper and his sinister motives. She is given a strange drug that reverses the aging process, turning back time itself, and once again she's the beautiful young woman she remembers from years before, so long ago. Now her adventures really begin. Ellen finds herself a slave in the mighty Gorean city of Ar, where the harsh rule of the occupying forces of Cos and their mercenary allies is being challenged by the mysterious Delta Brigade. Surrounded by intrigue, rumors, plots, and betrayal, her adventures bring her face to face with strange and terrifying beasts, and sickeningly familiar weapons. Men challenge one another to own her. To the victor the spoils, but who will that victor be? Her fate is decided in this latest thrilling installment of John Norman's best selling Gorean Saga.

2011-03-22: Meeting the Baker/new Mistress

Mistress Thorne the Baker

[00:15]  Thorne wanders up the path humming softly and brushes a strand of hair from her cheek as she eyes the girl.
[00:16]  Cly smiles gently back as she urns watching...tal
[00:16]  Cly: ^turns
[00:17]  Thorne looks her over as she again swats at the stubborn hair, tucking it behind her ear. She holds the basket of fresh baked breads and rolls out to the girl and motions for her to pick one.
[00:18]  Cly smiles gently she lowers her gaze...Mistress is too kind, thank you....she whispered as she gently picks out one of the smaller rolls
[00:18]  Thorne gives her a nod and holds a delicate finger to her lips in a "hush" motion, then gives her a slight wink and moves past towards the longhouse
[00:20]  Cly smiles softly she nibbles upon the roll, winks to the Mistress before she slipped into the long house, carefully she finishes the roll before she follows into the long house
[00:20]  ::Kool Door whispers: clysa Dragoone opened the door
[00:22]  Cly blinks as she enters she looks back seeing the Mistress as she gently strips from the warm kirtle, turning she hangs the soft wool upon a peg by the door, humming softly she slips to the back of the hall to see is the Mistress need any help
[00:24]  Cly: is there anything i can do for you Mistress....she asked lightly as she approaches her
[00:24]  Thorne watches the girl come and smiles softly. She decides she will introduce herself, though it is of course not expected. The voice that rolls up her throat is husky and rich laced with a thick accent from the southern regions somewhere. "I am Thorne, and the new baker, girl. How are you called?" She turns and takes out a large mixing bowl and sets it on the counter as she reaches for some eggs.
[00:26]  Cly: pleasure to meet you Mistress, i am called cly, if it pleases you...she offers a light smile
[00:26]  Thorne nods and cracks a few of the small vulo eggs into the bowl as she eyes the girl. Her head tilts a moment as she seems to think on something. "Do you cook, girl?"
[00:29]  Cly: im learning how to Mistress....she admits shyly as she cast her steely gaze downward
[00:31]  Thorne nods again and holds an egg out to the girl. "Four eggs in the bowl.."
[00:33]  Cly gently she takes the egg in her hand, moving closer to the bowl she cracks it open, smiles lightly she repeat the action a few times til there were four total
[00:36]  Thorne watches her  a moment and then turns to begin poking about to see what supplies they had. She riffles through several sacks for any flour. She measures out two huge scoops of the stuff and plops it in the bowl. She peers at the girl. "Do you have milk? What kind does not matter though I prefer bosk myself..."
[00:37]  Cly: there is fresh bosk milk...she informed her as she slips to the side where the pitcher was kept upon a shelf by the hearth, carefully she picks it up and brings it to the MIstress
[00:38]  Thorne smiles and motions to the bowl. "Just enough to wet the flour. Now... sugars.... where do you keep them?" she turns, her hands on her hips as she scans the shelves.
[00:40]  Cly nods gently as she moves closer to teh bowl, gently pouring it, she glances back to her...tis next to the sa-tarna flour sack Mistress....she mentioned lightly as she turns setting the pitcher back in its place
[00:42]  Thorne gives a little exclaimation of victory when she sees that the sugar is indeed where the girl said. she fetches the tins of both white and yellow sugar and brings them back to the table. "A bit of the white, just guess... now, salt? I know that one is a bit more tricky up here hm?"
[00:44]  Cly gently she adds some of the white then she looks over, stepping closer to teh hearth standing on her toes she reaches up and pulls down a small container, smiles lightly as she shows it to the Mistress
[00:44]  Thorne smiles and points at the bowl. "Add a pinch of salt then."
[00:45]  Cly: yes Mistress...moves closer to the counter she opens the container and adds just a pinch of salt to the mixture before returning the container back to the shelf
[00:47]  Thorne wiggles her fingers. "Now knead it until it is sticky and all the flour is mixed up. I will find a pan." With that she turns and starts rummaging loudly through the cupboards. On occasion she takes her bow from her back to reach things on the top she cannot reach on her own, almost as if the weapon was a natural extension of herself. She plops a round flat pan on the counter and leans on it, watching the girl.
[00:49]  Cly: yes Mistress...she smiles as she moves to the counterspilling the contents upon a sheet, she gently kneads the mixture, lightly humming as she does so out of habit, she glances to the Mistress before lowering her eyes back to her work
[00:50]  Thorne grins and waves a hand at her. "I do the same. Cooking makes me very at ease, I normally sing. You may if you like." She takes a little of the loose flour and sprinkles it over the bottom of the pan and murmurs softly. "It keeps the bread from sticking as it bakes..."
[00:52]  Cly nods...its about the same how we do it back on my home world...she told her lightly watching her, smiling softly
[00:53]  Thorne lifts a brow. "Your home world? You are barbarian?" The curiosity in her face is almost too bright as she leans forward to hear tales of this strange place. She blinks after a moment remembering the bread. "Flatten it out on the pan all the way to teh edges"
[00:55]  Cly: yes Mistress....she nods as she places the dough upon the pan, carefully she flattens it out, spreading across the pan, as she glances to her...and yes im what you would call a barbarian, Mistress
[00:56]  Thorne looks absolutely intrigued as she slides the baking stone from the bakers oven allowing the girl to place the pan inside. "Perhaps one of these days you will tell me about your home?"
[00:57]  Cly gently smiles nodding, it seems long since she thought of her home and was happy to talk about it...yes Mistress i would be happy to...she told her as she places the pan inside
[00:58]  Thorne pushes hte pan back a ways and seals the oven witht eh baking stone and steps back. "Well, lets clean up before I start the fruit paste."
[00:59]  Cly: yes Mistress...turning she retrieved a rep cloth, wetting it she turns and starts to clean off the counter for her, humming lightly again as she works along with the Mistress

Quote from Priest-Kings

Priest-Kings of Gor

Once Tarl Cabot had been the mightiest warrior of Gor, the strange world of Counter-Earth. But now on all the planet, he had no friends except the tarn, the mighty bird on which he flew.

He was an outcast, with every hand against him. His home city had been destroyed, his loved ones scattered or killed. And that was at the orders of the Priest-Kings, those mysterious beings who ruled absolutely over Gor.

No man had ever seen a Priest-King. They were said to dwell somewhere in the Mountains of Sardar. And none who entered that forbidden land ever returned alive.

Nonetheless, Tarl Cabot headed into the Mountains of Sardar!

Quote from Players

Quote from Players

Players of Gor

During the holiday revels of Port Kar, an attempt is made on the life of Tarl Cabot. And Tarl discovers that the Priest-Kings have turned against him! To clear himself of their charge of treason, he must follow the assassin's trail. The way to achieve that was to join, in disguise, a troupe of traveling Players, a sort of Gorean carnival, which would give him entry to enemy cities and hostile territories.
But life in such a carnival is always a risk in itself. There are monsters in form and monsters in mind amount them - and there may be spies of the alien Kurii and the omnipotent Priest-Kings.
Players of Gor is a rich and full adventure on that wondrous world where free men must fight and slave girls must yield, where life and liberty may depend on the chance moves of a game-board or the edged passions of the dueling ground. And where Tarl's destiny must bring him fact to face with a conspiracy of superhuman powers.

Quote from Outlaw

Outlaw of Gor

Tarl Cabot's long exile was over. Again he was back on Gor, the strange world of Counter-Earth, where he had once been the proudest warrior and mightiest tarnsman of that savage planet.
But nothing was as it had been. His home city of Ko-ro-ba was destroyed, razed until not one stone remained standing. His beautiful mate, Talena, was dead or vanished. His family and friends were scattered across the globe.
And Cabot was now declared an outlaw, with all men ordered to kill him on sight. His only chance was to find the strange Priest-Kings who ruled Gor and to submit himself to them.
But Tarl Cabot was not about to submit!

2011-03-19: serving visiting Jarl

[23:46]  Nightmare Hoxley: heya tal
[23:46]  Kris: Tal *shouts throught the longhall*
[23:46]  Cly glances back she smiles seeing Jarl Night.....tal Jarls
[23:46]  Nightmare Hoxley: this is an old friend of mine
[23:47]  Nightmare Hoxley claps his hands, serve him well, girl
[23:49]  Cly: yes Jarl...smiles as she dries her hands upon a rep cloth, she approaches the long table, her hips swaying lightly as she walks, kneeling at the end opf the table she offers a smile to the visiting Jarl...may i fetch JArl something to drink or eat.
[23:51]  Kris cock his head and take a closer inspecting gaze on her, slowly running his gaze down her female now naked curves and back to look into her eyes. Silently with his charismatic gaze that probably seems to pour though the eyes down to the sould... He last that gaze on her well knowing its effect. Then, when he's sure to have the full attention of the girl he opens the mouth, slightly, but only to lick over his lips and beckon her closer with a gentle wave of the index finger, more alluring then ordering*
[23:51]  Nightmare Hoxley nods to kris he is my guest
[23:54]  Cly gently she moves closer to him, crawls over near his bench she knelt just at his side, her steely gaze lowers under his gaze, a shiver went through her as she wets her lips lightly with the tip of her tongue
[23:56]  Kris bows slightly to her and raise the arm, palm up, to place two finger under her chinn, and ... more guide then actually force, the head in the neck until she looks up to him, he into her eyes, now quite closer. Again he opens the mouth and for a second it seems he just lick again over her lips until he then speak up* Your name slave? *he cock his head and continue to study her while he still hold her head locked into the neck*
[23:56]  Nightmare Hoxley growls *i am busy with preparation of our todays melee tournament, i think i am not needed here anylonger
[23:57]  Nightmare Hoxley: have a good rest and you serve him with fire, girl
[23:57]  Nightmare Hoxley waves back *be well
[23:58]  Cly: i am called cly if it pleases Jarl...she spoke lightly in responce, swallowing a little as she gazes up at him, hearing Jarl Night she calls after him...yes Jarl....then she turns her attention back to the Jarl before her
[00:00]  Kris: cly *he repeats, just as if he wanted to hear the sound it if form his own mouth* Well... cly... dow you know how to serve mead body warm? *he raise both eyebrows and lure at her, curious for the answer*
[00:02]  Cly shivers slightly under his gaze.....ive heard of it JArl, but never served such...she whispers, her eyes lowering slightly under his stare
[00:04]  Kris: So... *he hesitates a moment as if he try to remember* cly... what did you heard? *he raised an eyebrow and continue observing her, and her reactions while the fingers of the othe rhand start to rythmically tap on the wooden surface of the table*
[00:07]  Cly: its been a long time Jarl and i know very little i will confess, but mead body warm, is just that the mead is warmed to body temperature, by keeping it close to the body til warmth or set out til its warm and matches the body temp....she whispers trying to remember
[00:09]  Kris: Go slave! Go! *he shout aout* and fetch me a warm mead i will teach you! *and slamms the fist on the table laughing out hard*
[00:11]  Cly jumps startled....yes Jarl...she cried as she leaps to her feet and hurries to the back of the hall
[00:16]  Cly moves to the back she fetches a horn from a shelf over the hearth, taking a rep cloth she cleans the horn of any dust, runningher finger tips along the rim she notes with pride that it was smooth, placing the cloth down she moves to the corner where a large cask of mead rests, crouching down she fills the horn with the rich warm amber liquid, careful not to splatter or spill a single drop she turns to face him, swallowing hard she approaches with care, moving sensually she slips to his left side behind his bench, kneeling close to him her head lowered as she spoke softly to him....mead Jarl
[00:17]  Kris: What *he raise the indexfinger and an eyebrow and look down* was your first mistake?
[00:19]  Cly looks down not sure as she held the horn close to her belly felling the ivory curve caressing her flesh....i dont know Jarl...she whispers lightly, she was trembling, frightened
[00:23]  Kris: Most true Torvladlsander males carry their horn with them. You should first have found out if i have a horn and you should serve it in my horn or if I don't have one. Anyway *he smiles and caress with the back of the indexfinger along her cheek* Now come to my lap ((or on the table if the bench don't allow that, imagination ftw))
[00:25]  Cly: yes Jarl, forgive me...she whispers, gently she rises to her feet, slipping gently into his lap, shivers lightly as she settles lightly against him nestling she peeks up at him under long lashes and auburn bangs that fell over her face
[00:26]  clysa's Collar: clysa adopts normal posture.
[00:28]  clysa's Collar: clysa adopts the 'nadu1' position.
[00:31]  Kris: Bodywarm means *he grab her and pull her closer into his lap. Then he bend her chest back until it touches the table and grab her tits, pressing em together so there is only a small slit - just like a natural cone* You pour the mead slowly on your throat and let it slide down your chest and i will drink it from between your tits *he hold her tits pressed togeter and place the lip on the slit to take the warm sweet liquid while his thumbs and forefinger start to play with the nipples*
[00:34]  Cly gasps as she shivers, her body shfts restlessly, flushing as his words sinks in, she looks to himswallowing hard even as she wets her lips lightly, slowly she nods her understanding...y..yes Jarl
[00:35]  Kris: What are you waiting for girl? *he smirks evily but give her a playful wink while he press his lips at the slit between her breats waiting for the mead to come*
[00:38]  Cly nodding she arches a little, lifting her chin up she takes the horn lightly in hand, places it just under the black iron band about her slender throat, slowly she starts to pour the dark liquid upon her, shivers slightly as she feels it running down over her flesh to the slit her made with her breasts, she bites her lower lip trying not ot make a sound, yet a small whimper slips from her
[00:43]  Kris drinks the hot mead from the slit between the breats with a slurping noise and utter delight... bit for bit until all of the mead made its way in his throat. After that he lick her tits - the slit - clean and then her lips until he got all of the sweat mead. While some of the mead found its way through the corner of the mouth soaked into his beard the rest from his lips get licked away and finally he clean his mouth with the back of the hand and smear it at his pants* You have a lot to learn ...ehm.. cly... but *he smiles and caress with the fingertips playful along her inner legs* i see you are eager to learn... Nex time I probably teach you some more.... *he cock his head and eyes her curiously awaiting her response - audiablie and also visible*
[00:46]  Cly: yes Jarl, thank you Jarl...she responded, blushing deeply, she felt her body tremble by the light carssing along her inner thigh making her squirm lightly upon her knees as she gazes up at him then lowers her steely eyes
[00:52]  Kris stroke with thumb and forefinger along his moustache while he study her: someone teaching here the torvaldslander traditions? I see you are eager but your not yet understood the ways of a bond. Though your serve is nice, willful and smooth
[00:55]  Cly offers a light smile even though her gaze stays cast down...thank you Jarl, the Jarls, Kennel Mistress and other bonds have been helping me learn, all is still new to me, but yes i am eager to learn so that i will strive to please thos within the camp
[01:03]  Kris: you first need to understand that a bond is less ehm... how to explain.. robotic.. its a lot about teasing... when the Kajira demonstrates how well she studied the 2000 steps of a serve the bond wash it away and just try to impress the master by her sexiness and alluring beeing... and... not to forget... her larl like humor
[01:05]  Cly smiles lightly remember her first night within the camp nodding...yes Jarl, its just been tense here as of late...she told him lightly as she relaxes a little then she looks up at him, her steely gaze meeting him
[01:07]  Kris: Tense? *he ask while the finger continue to sweetly 'torture' her inner legs*
[01:09]  Hagbard Halving: Ah Tal sir, greetings Cly
[01:09]  Cly: just some inner clan conflicts, but nothing to worry about...she told him lightly, biting her lower full lip she gently shifts, spreading her thighs a little more as she spoke to him
[01:10]  Cly gazes up smils to Jarl Hagbard...tal Jarl
[01:13]  Kris: Tal... *nodds to the man
[01:13]  Hagbard Halving: I don't think I have seen you here before sir?
[01:15]  Kris: Thats right... a friend invited me
[01:16]  Hagbard Halving: I see, and who is this friend? and... your name?
[01:17]  Kris: Sound strange but i don't know him by name... but sweet cly can tell you
[01:18]  Cly: its Jarl Night, Jarl...she informed them both
[01:19]  Hagbard Halving frowns, Night very well.. and how is it.. that you did not know your friends name? and you are yett to give me yours
[01:20]  Kris: you didn't introduced yourself, probably doing that before asking *he chuckles* Well you know.. it happens often that you fight at ones side by alliance or circumstands and learn to honor him while you never got introduced to him
[01:22]  Hagbard Halving: Aye, I did not, this is my home.. thus I would expect your name before I grant you mine
[01:22]  Kris: Well I am Kris the Wrathful, Warrior of the North, Berserker of Odin, slayer of my foes and enslaver of women *laughs*
[01:24]  Hagbard Halving chuckles, well met Kris, I am Hagbard Halving.. he paused for a moment thinking he should also get himself several titles he quickly added, bond-master, Slayer of the serpant around yggdrasil
[01:25]  Hagbard Halving gives Cly's butt a little "love-tap" are you going to serve me girl? or are you to tired for even that?
[01:26]  Kris: Well met, Hagbard Halving, bond-master and slayer of the serpant *he chuckles* I'll take my leave... May Odin give you a strong arm and stiff parts... *he laughs*
[01:27]  Hagbard Halving: Girl you are not looking well, /me smiles at the man, well Kris, I pray you have safe paths on your way
[01:27]  Kris: thanks, you never know when you need it... will see you another time Hagbard
[01:27]  Hagbard Halving grumbles at his morning typos
[01:28]  Kris: and probably cly for serving another mead *smirks*
[01:28]  Cly smiles to the Jarl....well wishes Jarl...she spoke lightly before turning her attention to Jarl Hagbard
[01:29]  Kris: Hey Hagbard, can you let me out?
[01:30]  Hagbard Halving: yes, yes ofcourse, Cly see to my mead..
[01:33]  Cly: yes Jarl...smiles lightly as she slips down from the table, moving with care she moves to the back of the hall, reaching up she fetches a horn from the shelf, taking a rep cloth she cleans it with care, gently she moves over to a cask of mead in the back corner, filling the horn with the rich amber liquid she was careful not to spill a single drop, turning she moves with care back to the table, slipping into his lap, she smiles sensually to him as she offers him the horn....mead Jarl
[01:35]  Hagbard Halving smiles thank you cly, you're a good girl, he takes the horn from her hands, lifting it to his lips and sipping it, in a very non typical norhtern way, as he lowers the horn, he places it towards Cly's lips. drink girl....
[01:37]  Cly genly leans close she placesher small hand on his and tilts the horn so that the mead would splash to her lips, licking them she smiles up at him when she took a tiny sip...thank you Jarl
[01:39]  Hagbard Halving tilts the horn further, allowing a small gush of mead to slash over her cheast, pouring down over her breasts towards her heat, her body glistening now, in the light of the fire. taking the horn back to his own lips he grins. liking what he did, lifting the horn high now, turning it upside down, guzzeling the sweet mead served untill the horn was empty, most of the meaw addmittedly passed his chin rather than his throat, though the reason for him wanting mead was allready accoplished
[01:40]  Cly gasps softly she shivers feeling the mead splashing over her lithe form whimpering softly she looks to him
[01:41]  Hagbard Halving: I shall not keep you bond, I can tell you are exhausted. you are to go kennel. is that understood girl?
[01:42]  Cly: yes Jarl....she whispers lowering her head as she bites her lower lip
[01:44]  Hagbard Halving smiles, now now girl. you know you need your rest and that I wish for your service... but I can see.. you're body is spent.. you must recover
[01:46]  Cly slowly nods she leans up kisses him soundly upon the lips, a soft purr slips from her as she presses into him.....thank you Jarl, you enjoy your day...she smiled weakly to him before she slips from his lap to fetch her kirtle then to head towards the kennels