Slave Dances

Slave dances are any of the sensuous dances performed by slave girls to entertain their Masters. Designed to display the sexual heat of the performer, and invite her use by Masters. The slave dances are in many of the Gor booksSlave:
this dance can be done in any style a girl chooses. It will begin with the girl seemingly a timid virginal creature standing uncertain in the middle of the room.. her eyes are wide and she is usually nude. She will show in the beginning of the dance that she fights being caught by a Master and then she will show how her fight slowly leaves her as the Master subdues her and makes her his own. In the final stage of this dance the girl will show her willing submission to her Master and her desire to please him in anyway. Often a chain and collar are used by a Master to "subdue" the girl.
Chain:
the chain dance is a dance where a kajira obtains a length of chain from a Master and uses it in a dance showing her submission and acceptance of being a slave. The chain will be wrapped around her body and she will writhe and fight at first but will be succumb by her desire and the fire within her belly and in the end she will rejoice at having the chain around her slave's heart.
Capture:
a dance recounting the time in a slave's life when she was captured and made a slave
Serving/Scarf:
this dance is performed using ribbons or scarves as a form of enticement for the Master. The girl will in the Serving dance offer to serve one Master in a very special way. She will then put on a costume of scarves or use a ribbon as well as a goblet which is used in this example to arouse herself and the Master falling to his knees and performing a heated serve of kalana to him.
Just remember when performing the serving dance the main goal is to make the Master desire not only the drink but the girl, however a girl's release in this dance is not necessarily obtained.
Beauty:
The girl wore Gorean dancing silk. It hung low upon her bared hips, and fell to her ankles. It was scarlet, diaphanous. A front corner of the silk was taken behind her and thrust, loose and draped, into the rolled silk knotted about her hips; a back corner of the silk was drawn before her and thrust loosely, draped, into the rolled silk at her right hip. Low on her hips she wore a belt of small denomination, threaded, overlapping golden coins. A veil concealed her muchly from us, it thrust into the strap of the coined halter at her left shoulder, and into the coined belt at her right hip. On her arms she wore numerous armlets and bracelets. On the thumb and first finger of both her left and right hand were golden finger cymbals.
Belt:
The belt dance is performed with a Warrior. The dance receives its name from the fact that the girls head is not suppose to rise above the Warrior's belt, but only purists adhere to this. Wherever this dance is performed it is essential that the girl never rises to her feet.
Needs:
This dance usually consists of five phases
First phase of this dance beginning with a girl's indifference to her situation.
Second phase will show her fears and restlessness as her desires are becoming more apparent to herself and yet she still struggles against them.. toward the end of this phase she will begin to have doubts in herself as to whether she is worthy enough to please the men around her and this will be made clear in her dance.
Third phase shows her acceptance of her desires and her willingness to please the Master's before her. The kajira will posture and present herself to the Master's with an almost "ladylike" charm and finesse. During this phase she is not yet taken by a Master even though she presents herself to them as a most willing slave and again she has questions about herself.
Fourth phase *The Heat of the Collared She-Sleen* in this phase the girl becomes wanton in her need and desire, writhing on the floor and opening herself wide for the Master's so they might see the visible evidence of her need to be used by them.
Fifth and final stage of the dance the girl continues to beg to be used.. her actions show that she knows deep within her that she is a slave and her only desire is to be pleasing. She will reach out to the Master's and beg them to touch her and make her a slave completely.
Submission:
this dance is a special dance a girl does for her one true Master. Each dance will be different and unique.
Whip:
the whip dance is a dance that involves the participation of a Master who will crack a whip above the girl's head as she dances or in many instances where the girl will be allowed the use of the whip and will crack it herself during her dance...this dance is to show a girl's fear of being punished and also the desire that can often accompany such fears..
Veil:
there is a definite progression as the 7 veils are shed from the body. You could tell the story of a FreeWoman made slave... or of a slave coming out of her shell into her full sexuality... veils shed like a cocoon.
Sa-eela:
The Sa-eela is one of the most moving, deeply rhythmic and erotic of the slaves dances of Gor. It belongs, generally to the genre of dances commonly known as the Lure Dances of the Love-Starved Slave Girl. The common theme of the genre, of course, is the attempt on the part of a neglected slave to call herself to the attention of the master. The Sa-eela, usually performed in the nude, as though by a low slave, and by a girl freed of all impediments except her collar, is one of the most powerful of slave dances of Gor. It is done rather differently in different cities but the variations practiced in the river towns and, generally in the Vosk basin, are in my opinion, among the finest.
There is no standardization for better or worse, in Gorean slave dance. Not only can the dances differ from city to city, but even from tavern to tavern, and from girl to girl. This is because each girl, in her own way, brings the nature of her own body, her own dispositions, her own sensuality and needs, her own personality, to the dance..
For the woman, slave dance is a uniquely personal and creative art form. Too, it provides her with a wondrous modality for deeply intimate self-expression.. The Sa-eela, of course is not the sort of dance which could be performed by a free woman.
Seduction:
This dance begins with the kajira standing before her Master. It is a pure, lustful seduction dance. The kajira is attempting to seduce her Master, to let him know that the fire of her desire for him is consuming her. She is trying to interest him in being pleased by her.
Love:
The Love Dance of the Newly Collared Slave Girl has many variations, in the different cities of Gor, but the common theme is that the girl dances her joy that she will soon lie in the arms of a strong master.
Placatory:
This dance is designed to assuage the anger of a Master. It is usually free-form, depending on the situation. The "Contrition Dance" of Turia is an example of a formal placatory dance.
Tether:
I jerked the tether on her throat. "This is a tether," I said, "It is to be well incorporated in your dance. You are a tethered slave. Do not forget it. You may fight the tether, you may love it. It may confine your body, you may use it to caress your body, an invitation to your master, a surrogate symbol of his domination of you. You need not dance always on your feet. A woman can dance beautifully on her knees.
Thong:
in this dance a girl has 6 leather thongs attached to her and she dances as a girl who is caught unwillingly. She will show her defiance and anger until she is at last caught up by the six Master's who hold her and presented to one Master who asked her if she is slave to which she will say loud and strong.. "Yes, I am slave!"
Tile:
this dance is done on red tiles before a Master. In this dance a girl wishes to entice a Master to use her by touching her own body and gesturing to him that she is most willing to see to his every need and is done completely upon the tiles often while a girl lays upon her back or on her belly. The girl is usually attached to a slave ring below the Master's couch.
Pole:
the pole dance is a dance in which the kajira will seemingly arouse and entice the pole or "Master" with a sensual dance that involves her touching and caressing Him (the pole) and in the end being given her release by rubbing her moist flesh against him. This dance can be done using a variety of items to secure the kajira to the pole as is the main fashion of this dance such as a Master's belt or a long silk scarf kajira may use nothing at all to bind herself to the pole as the emphasis is on the pole itself and the kajira's use of her body.