2011.4.28: Gift of the bondsmaid clysa //start of new log

[10:45]  Phoenix Dionysus smiles dryly as his gaze rests on
two people he thought not to be seeing again, with a glance
he looks over to the girl that had been promised to him and
then back to the Warrior and his travelling companion "Tal
Miah, its been many days and greetings Tilly...even more
days"
[10:46]  Tilly smiles as the mists finally clear, looking
around her a little as she steps slightly behind Miah: Tal
Tal good to see you again
[10:46]  Cly smiles up to Him gently then lowers her steely
gaze, falling silent as she listens to them
[10:47]  Phoenix Dionysus: and you both, I suppose I owe
thanks for delivery of the offering*nudges his head to the
girl* but I supsect that in your other hand you carry with
you the exppectation of something?
[10:47]  Jeremiah Dastardly nodded..then looked to Tilly,
he saw Skaar approaching..Tal bro, he greeted him happily
enough with the girl in tow.
[10:48]  Jeremiah Dastardly nodded to him...that it has
Brother, i hope you are being seen to well. The girl next
to him and tilly just behind him he offered them small
glances a moment...this girl does seem rather fond of you
Skarr, and Ill have you know it is with some reluctancy
that i give her up..he smiled coyly to him, but Aii, the
girl as I promised you bith is yours..a gift from Einhar
[10:49]  Julianne Lemondrop smiles
[10:50]  Phoenix Dionysus smiles in turn to Miah "well then
as a gift given freely i accept whole heartedly and know
that there will come a day when I return the favour and
bring such an offering to your doors....tho its hard to
conceive that i will find one with the skills that this one
has...
[10:52]  Tilly listens silently, looking over to Cly for a
moment, giving her a wink, being rather fond of the girl
herself, she was reluctant to see her go
[10:52]  Silver Oleander: whoa))
[10:52]  Jeremiah Dastardly snorted soemthing of a
laugh....How true that is Bro! he reached into his pouch
and acted as though it was full of many treasures but only
one thing he had brought with him aside from their fair
back to Kenaz...the key to the girls collar..as he withdrew
it he flipped it in the air lightly with decent enough aim
for Skarr to catch. Nothing in exchange of course, the
girls heart seem to long for your steel he nudged at cly's
shoulder a bit..and perhaps a few other things.
[10:52]  Silver Oleander: "tal jarls...bonds"
[10:52]  Cly looks between the Jarl, then smiles lightly to
the MIstress, winks back
[10:52]  Phoenix Dionysus nods to the girl as she passes by
[10:53]  Tilly grumbles a bit at the girls words her mouth
opening and closing like a landed fish
[10:53]  Jeremiah Dastardly snorts and pokes tilly in the
arm
[10:53]  Phoenix Dionysus catches the key and tucks it away
into his belt, with his other hand he gestures openly to
you both "know that my homestead in the lands of Mjodr Fell
is open to oyu both in welcome"
[10:54]  Phoenix Dionysus grins at Tilly
[10:54]  Cly blushes as she looks to the Jarl as he nudges
her, before turning to look up at Him, smiling lightly
[10:54]  Phoenix Dionysus: things here are not like they
are in Kenaz and the lands thereabout
[10:55]  Tilly mumbles to Miah about not getting any ideas
before sucking her teeth for effect, turning then to Cly:
be happy Cly, you will always have a place if you ever need
it
[10:55]  Phoenix Dionysus: the wandering bond has probably
never seen that much flesh of a Free woman before....to be
honest the first time i had when i was a child, i lost my
wits about me as well
[10:55]  Cly smiles to the Mistress, nodding gently...thank
you Mistress and im sure i will
[10:56]  Tilly just steps closer behind Miah and pulls her
together a little
[10:56]  Tilly: her shirt together a little*
[10:57]  Phoenix Dionysus chuckles again
[10:57]  Jeremiah Dastardly nods a bit as he listens to him
speak...he looked over at Tilly...to the mans offering to
them both he simply shook his head...We havent the time
just now Skarr..but he said, perhaps our travels..or mine,
as he certainly could not speak for Tilly's travels, we'd
come and have a bit of mead with you...he glanced around
the area it did seem very pleasant place a bit breezy
though compared to Kenaz though not quite as chilly
[10:59]  Phoenix Dionysus reaches to his belt then and
takes out a long length of thin small chain with a clip
upon its end and the other fastened securely to his belt,
stepping to the gril he reached the clip to her and snapped
it upon her cllar's ring, locking her in place."you honour
our friendship with this gesture....something that will
never be forgotten....when the turmoils of the lands far
off get to be too much, know that there are greener
pastures on the other side..."
[11:01]  Jeremiah Dastardly watched as he moved to his belt
for the chain..he nodded..arms crossed as he did, Thank you
kindly Skarr...he reached out to cly once more and with a
finger tipped her chin up...continue to serve with fire
bond...he let her chin fall and laid a gritty palm on her
ass with a bit of a crack..he smiled...be well. You both
[11:02]  Phoenix Dionysus: and to you, safe sails home
[11:02]  Cly purses her lips together, shivers feeling the
leash clasping about the ring of the collar
[11:02]  Tilly looks around once more briefly before
following Miah's lead: well wishes, safe paths and anything
else you think of, I hope she serves you well
[11:02]  Phoenix Dionysus: thank them my bond...without
them you would be slave to a toad
[11:03]  Tilly: serve with heart Cly
[11:03]  Cly: be well Jarl, Mistress and thank you
both...smiles to them
[11:03]  Cly: i will Mistress
[11:04]  Jeremiah Dastardly took the fair for the boat ride
home from his pouch and ran the two coins between his
fingers repeatedly until they had made the way to the
boats...he flipped Tilly's skirt up a bit catching a peek
as he pretended to be "helping" her into the boat...he
loved that she didnt wear pants most the time...to Kenaz!
he bellowed to the captain and tossed the coins to him
[11:04]  Phoenix Dionysus smiled with a chuckled and nodded
once more to them both before turning and heading out
across the long stretching dockfront.

Prepared Foods

Bonds-maid Gruel: A thick gruel, that of dampened Sa-Tarna meal and raw fish.

Breads:

BISCUITS: Flat pressed biscuits, baked from Sa-Tarna flour.
BLACK BREAD
SA-TARNA BREAD: Bread baked from Sa-Tarna grain. Yellowish in color and usually split into eight divisions. It is baked as a round, flat loaf.

Cakes: Fried maize, honey, pemmican and rence.
Candies: Mint sticks.
Chocolate: The beans were originally taken from Earth, it is now grown and used on Gor as well.
Flavored Ices: Similar to sherbets.
Honey
Pastries
Salt:

RED: Known as the ‘Red Salt of Kasra,’ it contains ferrous oxide, which gives it it’s color.
WHITE: Untainted Sea Salt. The main type of salt is found at the salt mine of Klima.
YELLOW: Table Salt, mentioned and spoken as ‘of the South,’ but otherwise, not described.

Slave Porridge: Extremely nourishing, though very bland, made for consumption by slaves.
Sugar: There is specifically mentioned four Gorean sugars, though only two, white and yellow, are ever mentioned by color.
Sullage: A common Gorean soup, consisting of three standard ingredients, and it is said, whatever else maybe found.
Tarts
Tasta: Small, round succulent candy, coated in syrup or fudge and then mounted upon a stick for easy handling and eating.

Gorean Food

  *MEAT*

**********

Bosk: Similar to the yak or buffalo of Earth, this huge animal with its thick, Humped neck and long, shaggy hair, provides food, leather, milk and other essentials.Tabuk: Single horned antelope. Northern tabuk is bigger than the southern, both are well known for their single horns and sweet meat.Tarsk: A six tusks, wild boar, it’s meat is normally roasted of baked whole.Verr: A long-haired mountain goat with spiral horns, is raised for their wool, meat and milk.

*FOUL*

**********

Gart: Small, horned, web-footed aquatic foul, with broad-bill and wings.

Tumit: Large, Flightless, carnivorous bird of the Southern Plains. It’s about the size of an ostrich with a long-hooked beak about the size of a man’s forearm.

Vulo: A domesticated pigeon, raised mostly for it’s meat and eggs.

*SEAFOOD*

**********

Eel: Various types are raised to be consumed and are considered to be a delicacy.Grunts: Large game fish, found in Plankton Banks. Their tiny black eggs are also for eating.Oysters: Much the same as the ones from Earth, known as a delicacy.Parsit Fish: Delicate, silvery-brown striped fish, that is commonly used for slave gruel or Sa-Tarna porridge or bonds-maid gruel.Sorp: Type of shell fish.Sea-Sleen: Within the polar seas, there are the black, brown, tusked and flat-nosed sleens. Their skins are used for leather garments and their oils for polishing.Wingfish: Regarded as a delicacy, Small, blue fish, about the size of a tarn disk when curled in one’s hand, it has three of four poisonous spines on it’s dorsal fin. 

*VEGETABLES*

**********

Beans
Cabbages
Carrots
Corn
Katch: Foliated leaf vegetable.
Kes: A shrub, whose salty-blue, secondary roots are used in Sullage, a common Gorean soup.
Mul-Fungus: Feb to the Huls within the Nest, pale with almost no taste. A fibrous vegetable like matter.
Mushrooms
Onions
Peas
Pumpkins/Squash
Radishes
Rence: A water plant; the grain is eaten and the stems harvested and pressed into paper or woven into cloth. The pith maybe boiled or ground into a paste and sweetened; this paste can also be fried into a type of pancake.
Suls: A large, thick-skinned, yellow-fleshed root vegetable.
Turnips
Tur-Pah: A vine-like tree, parasite with curled, scarlet, ovate and edible leaves. Used in making Sullage, a Gorean soup.

*FRUIT*

**********

Apricots
Berries
Cherries
Dates
Ka-la-na: The fruit makes a red wine and cones from yellow trees.
Larma: Two types of larma: one is a single seeded fruit, rather like an apple. The other is a segmented juicy larma, that can be served fried with a browned-honey sauce.
Melons
Nuts
Olives
Peaches
Plums
Raisins
Ram-Berries: Small, reddish fruit with edible seeds.
Ta-Grapes: Used to make ta-wine, a thick and sweet, supposedly white wine.
Tospits: A bitter, yellowish white, peach like fruit about the size of a plum.

*DAIRY*

**********

Cheese: Pressed from the milk of the bosk or Verr.
Milk and Butter: From Bosk or Verr.
Eggs: From the Artic Gant, Vulo and White Grunt.

Gorean Drinks

Ale: Gorean ale is closer to a honey lager, than to an ale or beer. A deep gold in color, and brewed from the grains of Gor and hops, imported from Earth, in the early years. It is traditionally served in tankards or horns.
Bazi Tea: An herbal beverage, served hot and heavily sugared; traditionally drunk in three tiny cups at a time, in rapid succession.
Beer: RENCE: Steeped and fermented from the pith and crushed seeds of the rence plant, it is a drink of the rence growers of the Delta of the Vosk. Stored in casks.
Black Wine: Coffee; Traditionally served with white and yellow sugars and powdered bosk milk, in tiny cups; although in most taverns it is served in mugs. It is grown on the slopes of Thentis, it is thought to have come from Earth on a slave acquisition run. If asked to be serve as “Second Slave,” means to serve it black.
Breeding Wine: A sweet beverage, which counter acts the effects of the Slave Wine, making a slave girl fertile; also called ‘second wine,’ it’s made from the extract of the Teslik plant.
Chocolate: Made from the beans that was brought back on one of the early Voyages of Acquisition, this is the same as the chocolate of Earth. It is served in higher class establishments.
Falarian Wine: An exquisite, rare and fabulously expensive wine, it’s cost would purchase a city. It’s existence, is only rumored among collectors.
Fermented Milk Curds: A Tuchuk drink, made from fermented bosk curds.
Ka-la-na: A very potent and dry red wine, made from the fruit of the Ka-la-na tree. Like the wines of Earth, the quality of Ka-la-na varies from that of a common table wine to premium brands. Ar is particularly noted for it’s production of fine Ka-la-na. Ka-la-na is also reported to have an aphrodisiac effect on females.
Kal-da: An alcoholic beverage made of Ka-la-na wine diluted with citrus juices, such as tospit and larma, mixed with strong spices and served hot.
Liana Vine: A rainforest plant in which can be used as a source of drinking water.
Mead: Preferred beverage of the Northland, made with fermented honey, water and spice; traditionally served in a large animal horn.
Milk: BOSK: Rich, thick and taste sweet.
SAND KAIILA: Reddish with a strong, salty taste.
VERR: Thin, with a sharp sort of taste.Mulled Ka-la-na: Heated Ka-la-na with mulling spices. Usually garnished with a piece of Ka-la-na fruit or tospit. Served warm in a goblet.
Paga: Grain based, distilled hard liquor, a kin to whiskey; Sometimes served warm to very hot. This is a drink, most often serve in Taverns, in a variety of vessels.
Sa-Tarna Paga: Usually known as paga. It is a brewed from the grain of Sa-Tarna and is similar to Earth whiskey. It symbolizes physical love (lust), and is served in a footed bowl, also kept warm in botas by the fire pit. Paga may also be served chilled.
Slave Wine: Brewed from bitter herbs, it acts as a contraceptive. Taken once per month.
Sul-Paga: Alcoholic beverage made from suls, which are similar to Earth’s potatoes; A kin to vodka.
Ta-Wine: A dry wine, made from Ta-grapes, from the Isle of Cos; served at room temperature or warm, in a tankard or goblet.
Turian Wine: A thick syrupy wine, so sweet and thick, that it is said, that one can see a thumbprint on it’s surface.
Water: Spring water from the mountains, the liana vine or the carpet plants from the rainforest area, inland of Schendi.
White Wine: A wine, light in color and taste. It is not described in detail, but just as white wine.

2011-04-13 Return of a slave girl

[00:31]  ℂℓy looks up meekly to him
[00:32]  Jeremiah Dastardly approached the gates slowly catching the stark white blur from a good ways out...as he came close enough to touch the girl he pushed the hood from her head and nodded to her...he grunted at her as he had recognized her somewhat from long ago when she had been going to serve him but apparently got lost...come along slut...he said and turned her by her shoulder to the gates
[00:33]  ℂℓy nod...yes Jarl...she whispers following him keeping close
[00:35]  ℂℓy looks up about the camp sighing softly, then looks back to him, lightly chews her lower lip nervously
[00:43]  Jeremiah Dastardly stripped the cloak the girl was wearing from her shoulders and slung it over his own...might good for him to sell later as it seemed of fine quality...he eyed her slowly and sighed...no collar..he shook his head and sent his fingers tangling into her hair...come along..business to be handled it seems
[00:43]  Jeremiah Dastardly: Tal Kara...he said the girl in tow as he headed toward the circle
[00:45]  Jeremiah Dastardly: stopping just outside the circle he let her hair loose...he looked down...knowing she truly had no choice he watched her and waited for her to move
[00:45]  ℂℓy smiles gently to the Mistress as she went along with the Jarl, glances to the circle then back to him, gently she steps into it, a shiver goes through her
[00:48]  Jeremiah Dastardly smiled as he watched her go into the circle...it was a delicate moment for one to do such a thing...reaching to his collar he pulled one of the finely polished steel collars of the villages from it...with it open and in front of her neck..cly, he asked her, you willingly submit yourself to this clan and the free who reside within the walls?
[00:49]  ℂℓy looks up to him, gently she went to her knees crossing her wrists she lowers ehr head then looks back up at him tears in her eyes as she smiles to him.....yes Jarl i am and do
[00:51]  Jeremiah Dastardly pushed the cool steel collar around her neck to be warmed by it from now till the day she was killed or purchased from the village...he leane din close to her, his cheek nearly touching hers as he made a small gesture of a kiss as he clasped the collar closed he leaned back some and began to twist the key as several tumblers began to click and fall into place.
[00:52]  ℂℓy trembles feeling teh cool steel back around her slender neck, a small whimper slips from her as she hears the clicking of the tumblers
[00:53]  ℂℓy looks up at him pursing her lips tightly together
[00:53]  Jeremiah Dastardly: as the final one did fall into place he withdrew the key from the lock and slid it oonto the ring of keys he held for the clan...then stood to his full height and motioned for her to rise
[00:54]  ℂℓy slips to her feet she looks up at him then lowers her steely gaze, humbly
[00:58]  ℂℓy gently reaches up she touches the collar

Quote from Witness

Witness of Gor

Deep within the cells of Treve, a glorious and mysterious city at the center of Gor's struggle for supremacy, awakens a nameless slave girl who will witness events about which others will only dare to whisper. Abducted from Earth and dubbed Janice by her owners, this lovely girl learns the art of obedience and the erotic life that is required of a slave girl while watching the world of Gor tremble with its inner conflict. From her cell Janice can see the city's splendor of majestic snowcapped mountains, a beauty marred only by the on-going struggle between the most powerful cities of Gor, Ar and Cos, and the presence of the Larl guardians waiting for an escapee.
When Janice is assigned to care for a mysterious male prisoner the comfortable fabric of her days she has learned to accept begins to tear apart. She knows somehow he has a role in the escalating turmoil outside her bars, but he cannot recall anything of his life before his imprisonment. As her life is put in ever-increasing danger, Janice begins to question who this man she is instructed to care for is and when her ordeal will end.

Quote from Vagabonds

Quote from Vagabonds

Quote from Vagabonds

Quote from Vagabonds

Quote from Vagabonds

Vagabonds of Gor

As treachery and betrayal become the prime weapons in the war between Ar and Cos, Tarl Cabot is trapped in the siege of Ar's Station. And when Ar's Station falls to the warriors of Cos, it is only with the aid of the loyal Vosk League, that Tarl and other survivors make their escape from the defeated port.
But with the forces of Cos now readying to continue on their devastating march of conquest, Tarl must go undercover as a spy within the enemy camp, hoping to discover their plans and send word to Ar's army before it is too late.
In Vagabonds of Gor, Tarl Cabot faces perhaps his greatest challenge of all, as he is caught up in the myriad dangers and intrigue of two mighty powers at war!

Quote from Tribesmen

Quote from Tribesmen

Quote from Tribesmen

Quote from Tribesmen

Quote from Tribesmen

Tribesmen of Gor

The Others were on the move! The Priest-Kings had received a message: "Surrender Gor". The date had been set for conquest or destruction.
Tarl Cabot could no longer linger in Port Kar - now he must act on behalf of the Priest-Kings, on behalf of Gor, and on behalf of Gor's teeming, unsuspecting, twin world known as Earth.
Evidence pointed to the great wasteland of the Tahari, the desert known only to the clannish, militant tribes of desert-wanderers. There must Cabot go. There among the feuds, along the trails of slavers, beyond the forbidding salt mines to a rendezvous with treachery, with a woman warlord, with a bandit chief, and with the monster intelligences from the worlds of steel.
John Norman at his best!

Tarnsman of Gor

Earth could never know of Gor, the world always on the opposite side of the Sun. But Gor somehow knew about Earth, as Tarl Cabot soon discovered. Taken by force to that savage world, Cabot was forced to become a tarnsman - a warrior who could control the great war birds of Ko-ro-ba.
Gor was a world of slaves and beautiful women, of human domination by the alien, secret Priest-Kings. And it was also the world of Talena, tempestuous daughter of the greatest warlord of Gor. She waited for the man who could subdue her - the man who would be her master.
But was Tarl Cabot that man?

Swordsman of Gor

As the ship of Peisistratus ascends then vanishes, “a sparkle in the bright, blue sky,” a new Gorean adventure begins. Swordsmen of Gor is one of the most compelling novels in the entire 29-volume saga conceived by the incredibly fertile mind of John Norman.

Fresh from his exploits in the Steel Worlds, home of the Kurii, a savage alien race intent on conquering Gor, Tarl Cabot has been returned to an isolated beach, at coordinates apparently specified by the Priest-Kings, the masters of Gor and the enemy of the Kurii. His only companions are his beautiful new slave Cecily, and Ramar, a ferocious sleen bred in the Steel Worlds to hunt and kill. But why has he been returned to such a remote spot? Did the Priest-Kings wish their former agent to serve them once more? Did the Kurii intend to use Cabot to further their own ends? The truth, as Tarl will learn, is darker and deeper than either of these possibilities.

In Swordsmen of Gor you will follow Tarl as he embarks on a new adventure with the Pani, a strange people with mysterious origins, and learn the dark, sinister truth behind his return to Gor, the Counter-Earth.

Quote from Slave Girl

Quote from Slave Girl

Quote from Slave Girl

Quote from Slave Girl

Slave Girl of Gor

Tarl Cabot had resumed his allegiance to the Priest-Kings, the non-human but benevolent rulers of Earth's orbital twin planet, Gor. And accordingly Tarl knew that the battle for the possession of the planet was under way - the Kurii, the beast-like invaders, had made their plans.
There was a girl, once Judy Thornton of Earth, found in the wilderness of Gor. Captured, as such lovely strangers were on that ruthless world, she was to undergo the training that would make of her a slave girl of great value. But unknown to her captors was the fact that she was a tool of the Kurii, that she carried a programmed message that imperiled the future of Gor. It was for possession of her mind and body that Priest-King and Kur-monster battled, while a planet went its way unsuspecting that its very fate was also locked within the slave collar that graced her neck.

Quote from Savages

Quote from Savages

Quote from Savages

Quote from Savages

Quote from Savages

Savages of Gor

The Kur came to Port Kar! Two of the terrible space beasts came to make Tarl Cabot an offer. They, a death-squad, sought the renegade Kur commander, the great Half-Ear, whom Tarl had once battled in the Far North.
But Tarl refused their offer, for Half-Ear was more valuable to the Priest-Kings alive than to the Kur dead. And now he knew it was imperative for him to save that monster from the doom that would fast overtake him.
This meant venturing into the forbidden Barrens of Gor - a vast land of plains and prairies whose cruel masters were tribes of savage red riders and where civilized men were always prey and their women mere trophies of the hunt!
Tarl Cabot returns in one of his greatest adventures.

Quote from Rogue

Quote from Rogue

Rogue of Gor

Jason Marshall learned the meaning of manhood and the power of women, both dominant and submissive, when he was kidnapped from Earth to the Counter-Earth called Gor. Winning his freedom, Jason set out single-handed to win his own place on that gloriously barbaric world on the other side of the sun.
His intent was to find the girl who had been enslaved with him. But that quest thrust him smack in the middle of the war that raged between Imperial Ar and the Salerian Confederation - and the secret schemes of the pirate armada that sought control of the mighty trading artery of the fighting cities.

Quote from Renegades

Quote from Renegades

Quote from Renegades

Quote from Renegades

Renegades of Gor

As the bloody tide of war spread over Gor, Tarl Cabot, outcast by the Pries-Kings, became deeply enmeshed in the military combat between the empire of Ar and the invaders from Cos. His fate would depend upon which proved victorious in the coming confrontation at Ar's besieged river port. And it looked like Tarl himself might prove the deciding factor that would tip the scales of destiny for one side or the other.
With Renegades of Gor, all the complexity and intrigue of John Norman's saga comes together to create an adventure replete with danger, excitement, and romance in the unforgettable realm of Gor - where courage remains meaningful, and pride and honor have never been forgotten.

Brands

THE KEF
It had a vertical bar, a rather strict one, with two curling, frond like extensions, rather
near its base, as though in submission to it. It looked a little like a "K." There were other sorts of brands, too, but the "K-type" brand was the most common.
THE DINA
The Dina is another of the common slave brands found upon Gor. It is a flower with exquisite petals, complementing the feminine beauty of the slave. However, in the north at least, it is a common flower, referred to as the slave flower. Dina later makes it clear that the brand is not that unusual upon Gor.
THE BRAND OF THE FOUR BOSK HORNS
This is the mark that the Tuchuks use to brand their slaves. It is significant that this was also the brand used to mark animals thus reducing the slave to this status.
The MARK OF TREVE

This, like the Kef is a cursive representation of a letter in the Gorean alphabet. Kai would imagine that this is a T in shape, perhaps also with a strict vertical bar like the Kef and with the crosspiece being cursive in design. This mark would generally only be found on girls who had been enslaved by those of Treve.
THE BRAND OF TORVALDSLAND


found rather frequently in the north, consisted of a half circle, with at its right tip, adjoining it, a steep diagonal line. The half circle is about an inch and a quarter in width, and the diagonal line about an inch and a quarter in height. The brand is, like many symbolic. In the north, the bond-maid is sometimes referred to as a woman whose belly lies beneath the sword.
THE TAHARIC SLAVE MARK
The contact surface of the iron would be formed into the Taharic character 'Kef'
...Taharic is a very graceful script. It makes no distinctions between capital and
small letters and little distinction between printed and cursive script.....The initial
printed letter of 'Kajira', rather than the cursive letter, as generally, is used as the
common brand for women in the Tahari. Both the cursive letter in common Gorean and the printed letter in Taharic are rather lovely, both being somewhat floral in appearance.
Penalty Brands


Penalty brands would have a deterrent effect, in that the punishment would be very painful and the brands would remain forever marking the girl as a thief and a liar.

Collars

The common Gorean slave collar
This collar was worn by most slave girls on Gor. The common collar on Gor was a hinged circular band which was flat and locked snugly on the girls throat. There is some debate about the nature of the lock.
Plate Collars

These collars were usually given to low slaves or slaves who had not yet been trained sufficiently to be given a lock collar. They were straight bars of iron which were curved about the girl's necks.
Turian Collars


The Turian collar worn by girls held as slaves in Turia differed from the standard locking collar in that it was more of a circular ring which was hinged and fitted more loosely than a standard slave collar.
Rope Collars


Rope collars were used by those of the Peasant caste to denote slaves. They were collars made simply with rope
The Bondage Strings of the Innuit


The Innuit tied strings around the throats of their women to indicate bondage. Imnak does this to Poalu in Beasts of Gor. Once he has done this she is a slave. Slaves were also identified by loops of binding fiber sewn into their clothes. If they were white-skinned these tokens of bondage were not really necessary as this alone would identify them as slaves. The security in this, again is not perfect, but the girls would again be known as slaves in a small community and as such would have little success in escaping.
Beaded Collars of the Red Savages


The slave girl living in the Barrens would be very much kept in bondage by her environment. She could not expect to survive alone in the desert and would thus need the protection of her Master. He could quite easily check that her collar had not been tampered with by checking the accuracy of the knots.
Capture Collar


A loop of chain controlled by two wooden handles so that it is easy to block off the slave's air supply as a measure of control.
Coffle Collar


Various types of steel collars with rings front and/or back to hook 3 to 4 ft lengths of chain between them; some hinged in the back.
Cord Collar


A collar made of cord fashioned from the rence plant it is worn by rencer slaves and carries a small disk to identify the owner.
Dance Collar
A collar to which light- weight (but effective) chain has been attached in order to set off the dancer; a common type consists of a large oval of chain to which wrist cuffs and/or ankle cuffs are attached; once the two sides of the oval have been attached to a ring on the collar; there are variations depending on.
Gorean Collar


A light steel like band, a badge of servitude. Flat, snug.
Kur Collar


A high, locking, leather collar which is used to identify Kur slaves.
Leather Leash Collar


A leather slave collar with attached which may be used when the slave is to be led, usually for reasons of security.
Lock Collar


A hinged collar easily removed by the use of a key; usually of flat stock c. 1-1/2 inches to 2 inches high; usually worn by trained slaves; the lock has one pin for each of the letters in the word 'kajira'.
Message Collar


worn by slaves who convey messages, it is a thick, high, leather collar, fashioned by Turians, literally sewn around her throat. Sewn inside, within the leather itself is a message, written on a small piece of rolled rence paper. The slave girl often does not know that her collar carries a message and of course would never know it's contents.
Northern Collar


a utilitarian sounding collar made of black iron with an iron ring to be used if a chain is attached. It is riveted around the neck of the bond-maid.
Plank Collar


A plank collar is used on slave benches. It is a heavy wooden plank with five semicircular openings, when the plank is lifted it provides holding collars for five slaves. The plank is then chained down. The primary holding arrangement for women on the benches, however, is not chains. Each place on the bench is fitted with ankle and wrist stocks, and for each bench there is a plank collar, a plank which opens horizontally, each half of which contains five matching, semicircular openings, which, when it is set on pinions, closed, and chained in place, provides five sturdy, wooden enclosures for the throats of women. The plank is thick and thus the girls's chins are held high. The plank is further reinforced between each girl with a narrowly curved iron band, the open ends of which are pierced; this is slid tight in its slots, in its metal retainers, about the boards, and secured in place with a four-inch metal pin, which may or may not be locked in place.
Retaining Collar


Usually placed in addition to another collar, close fitting, heavy and thick, with a thick linked chain attached, about 4’ long, it fastens to a stout ring.
Shipping Collar
a temporary collar showing that the slave girl is part of a cargo
Sleeve, Collar


A sleeve made out of cloth of some type which goes around the collar and normally would match the outfit the slave is wearing. Used only in some cities.
String Collar
four looped strings, each differently knotted by the Master to identify the slave's owner, worn by the slaves of the Red Hunters.


Torvaldsland Collar
a collar of black iron, riveted upon the slave, with a welded ring


Temporary Slave Collar
flat and close fitting, identifies the slave as a slave provisionally in the custody of Magistrates


Transport Collar
a collar with a metal tag attached listing destination or other vital information, to be used during transport of a slave.

Slave Types

This here is useful information for those who is following the slave path. Note, that slaves are broken down into two major categories: white silk and red silk . The other silk colors, means nothing on Gor.

The color of silks, bears no references to the training level, that might be seen within the online lifestyle. Simply, the white silks are virgin and the red are not, even though a virgin could be fully trained as a Pleasure Slave, while a red silk newly recruited from Earth, who didn’t even speak Gorean yet. So, the different color of silks one might see within the different online Homes, that was told to earn them throughout the training, which isn’t truly based on any of information from the books.
Now, the condition of slavery, requires no overt sign of bondage. Even though, such items are useful, mostly for marking property or the identity of Owner and such. Plus, what a slave wears, is at the whim of the Owner. Even an uncollared, unbranded slave is a slave.
There is an average of twenty-five different slave types. I will mark down as much information to each, as I can.
-Bathe Girls
-Kajirae who serve at the public or private bathes.
-Barbarians
-People from Earth or one who doesn’t speak another’s language, like Gorean. However, it is often used as an insult, regarding the slave girls from Earth.
-Beggar Slaves
-Pitiful of all. A typical slave who tried to runaway and was hamstrung as punishment. Now, since they can’t walk only drag themselves around; they sit and beg for coins on the street, returning their “earnings” to their Owners.
-Bondmaids
-Northern slave girls from the Torvaldsland Territories. These girls are also known as “a girl whose belly lies under the sword.”
-Camp Slaves
-Owned by authorized Merchants, who hold contracts for certain seasons or campaigns. The girls are rented out to soldiers at fees which are fixed and almost nominal.
-Coin Girl
-The lowest form of street girl. Chained and belled, the girl carries a small coin box at dusk. A man will pay her, placing a coin within the box, then he may have his way with her.
 -Display Girl
-A kajira, whose primary purpose is for the display of her beauty, to reflect the wealth and status of her Owner.
-Exotics
-A breed of slaves, whose characteristics have been carefully chosen by their breeders.
-Feast Slaves
-Girls usually rented in groups, to individuals or organizations for feasts, parties, and other functions.
-Flute Girls
-Able to play single or double flute. Usually rented out for parties or other functions. Also, will commonly served the pleasures of guests.
-Handmaidens
-Slave of the Free Women.
-Kettle and Mat Girl
-A slave, whose functions divided between household tasks and sexual servitude.
-Luck Girl
-Slaves that are kept as mascots on board ships, usually reserved for the captain’s use, though they maybe shared.
-Lure Girl
A slave, who serves as bait, by pretending to desire a man and distracts him, while the Owner and his men captures the unfortunate victim.
-Message Girl
-Used to send secret messages. Mostly illiterate.
-Muls
-Male and female slaves, kept by the Priest-Kings to maintain the Nest.
-Natural Slave
-A slave, who may need training, to refine her nature, but in whose heart is already a slave.
-Paga Slaves
-Girls, who work in paga taverns, whose use is bought with a bowl of paga.
-Passion Slaves
-Exotics, who are bred for passionate response.
-Pierced-ear Girl
-A slave, whose ears have been pierced. Most girls despairs this, for it means that they will never be freed.
 -Pleasure Slave
-Trained in the art of love, and are typically very passionate and needy.
-Pot Girl
-Lowest form of slaves, whose main function is cooking, cleaning, and other menial tasks.
-Secret Slave
-A slave, who most believe is free. Her true status is concealed by the Owner, but it is difficult to maintain for a long time as the girl become more like a slave.
-State Slave
-Owned by the city.
-Thrall
-Northern male slaves from the Torvaldsland Territories.
-Tower Slaves
-Slaves of high positions in a household, of course, being slaves, they are still available for any use their Owner sees fit.
-Work Slaves
-Slaves serving almost a penal function in some cases. Generally, considered as the lowest of slaves.

Slave Punishments

There are many ways of punishing misbehaving Gorean slaves. Here are several of the ones described in the novels.

Hanging from an A frame: A captive or slave could be hung from her wrists usually nude, from two sloping beams planted on the ground and crossing at the top, forming like an A without the crossbar. Her ankles could be tied widely apart to rings on the base of the poles. A frame or posts were also used.
Ankle Rack: Like the stocks used on earth, the ankle racks are two hinged wooden planks with semi-circular openings for holding the ankles of the slave.
Bastinado: This punishment is not described in too much detail, so we will suppose that it consists on hitting the soles of the slave's feet with a rod, because that is the modern meaning of the word.
Blindfold: Consists of three pieces, usually two rounded pieces of soft felt, three to four inches in diameter for covering the eyes, and the binding which usually consists of two or more turns of a dark, thick, folded cloth, or scarf, knotted behind the head. It is used as a punishment.
Bracelets, Hook: Soft leather cuffs with locks and snaps. The snaps are self closing devices. They are used to hold the cuffs together, holding the hands of the slave at her front or back. Even when a snap is easily open if you can reach it, they can hold somebody with the movements restricted by the cuffs. A slave in one of the novels feels herself utterly defenseless considering how easy are the snaps for her Master to open, and how out of reach they are for her. They can be used as a means of restraint or as a punishment.
Bracelets, Slave Metal handcuffs used for restraining the slave.
Branding Rack: A metal rack locked on a girl placed upright. Her wrists are placed behind her, in wrists clamps, each on a vertical flat metal bar. Feet and knees are shackled on a rotating metal platform. The branding rack rotates for bringing into view the place to be branded with red-hot irons. Branding is used for identifying a slave, but they also can be used for punishment.
Couching: A common way of punishing a slave (and also a free woman) is to tie her with a chain to a ring at the foot of her Master's (or Free Companion's) bed, making her to sleep naked on the floor, without blankets or mattress.
Cuffing: Of course, a Master will slap his slave's face as frequently as needed. The slaps are as hard as for the slave mentioning a taste of blood in her mouth, or for throwing her to the floor.
Deck Cage: On a ship, the slave could be held naked inside a small cage on the deck. If the weather is too rough, it could be covered with tarpaulin.
Denial of Clothing: A slave is owned, and she owns nothing, but the master can allow her to have some clothing or jewelry. Even when slave clothing is not for covering but for revealing, it is usually treasured by the slave, which can show it as a signal of her master satisfaction with her. That is why its removal can be used as a punishment, more than for the humiliation of being in the nude, what is not unusual for the slave.
Four Chains: Wrists are tied with a chain of about 18" and so are the ankles. Each wrist is also chained to the corresponding ankle, making the "four chains".
Gag: The normal slave gag consists on rolled leather wadding that goes into the mouth, secured by a wide strap that covers the mouth and secures at the back of the head. It has attached smaller straps that secure it at the upper lip and to the chin, and that are tightened also at the back of the head. It can be used when there is a need to mute the slave, or as a punishment.
Iron Belt: It is like a "Terran" chastity belt. It consists of a curved iron bar for the waist, and a contoured band that goes between the slaves legs, secured at the back with a lock to the waist bar.
Leash: A fifteen inches leash secured to the slave's collar and used to lead her. For leading, part of the leash will be coiled on the Master's hand. Its full length is used for leash dances and for bounding her. The folded end can be used for slave discipline.
Lock Gag: A leather gag locked to the head by a curved metal bar about a quarter of an inch in diameter. As it cannot be removed, the slave's hands can be left free for working.
Penalty Brands: Small (1/4 of an inch) brands used for punishment. They have the form of Gorean letters. In "Captive of Gor" the main character is marked with the initial letters of the words liar, thief, and traitress.
Pleasure Rack: Made from wood, with gear for adjusting it to many positions. It serves two major purposes: exhibiting and displaying the slave and holding the female in any position one pleases for punishing or using her.
Post Strap/Harness: The slave belt's front ring is tied to a post by a strap that goes around it. The slave can move around the post, but cannot go far from it.
Put to the oar: The slave is tied to the oar of a ship, her head in the direction of and near the paddle. When rowing, her head will go down and up the water at the rhythm of the oar's paddle. She can also be attacked by Gor's sea carnivores.
Removal of Name: A slave has no name but that given to her by her master. Removing it from her is humiliating, because she then becomes a nameless animal, not even worth a name.
Sexual Discipline: *Arousing the slave (remember her unleashed sexuality) and letting her bound and suffering her frustration *Giving her for being used by another man, perhaps a slave. (Being used by a slave, not a real man, is humiliating for a Gorean slave)
Shackles: Shackling her ankles with a ten inches chain, and forcing her to walk with short steps.
Shearing (or shaving) of Hair: A slave must be beautiful and pleasing to men. Shearing her hair or shaving it is a humiliating punishment, because it lessens her beauty and because it shows to the world that she has been displeasing to her master. It also tells the girl that she is near harsher punishments if she misbehaves again.
Slave Box: It is an iron box, four feet long and three feet wide, with a depth of about eighteen inches. It opens from the top and has at each side of the lid a circle of small holes, the only openings for breathing or light. A girl could be left for days on such a box.
Slave Goad: Like an Earth cattle prod, an electrified instrument that gives an electric shock to the one touched by its point. The one used for slaves in Gor has an intensity dial that can be set to give from a painful shock to a mortal one.
Slave Hobble: A shackle with about seven inches of chain that ties one of the slave's wrists to the opposite ankle. The slave is kept usually kneeling.
Slave Hood: A slave hood can be just a sack of canvas or leather with drawstrings at the back of the head, or a more elaborate leathern device with a ball gag and rings for a padlock. It haves no openings for the eyes, mouth or ears. It can be used for punishment or when transporting a slave.
Slave Pens: Cages about 4 paces by 4 paces, in which up to 20 slaves could be housed.
Slave Sack (dung sack): A sack made of leather that can be pulled up over the slave's head covering the full body, and laced shut. A night on the sack is considered a light punishment.
Turian Slave Bar: A metal bar, with a collar at each end and, behind each of the collars, manacles which fasten the prisoner's hands behind his neck. It is used to hold two slaves.
Whipping: As always in slavery, whipping is the most common punishment for slave girls. For severe whippings the girl is tied naked to a post with her hands up. A whipping could be given to a girl as a part of the enslavement ceremony, for teaching her the possible results of being unpleasant. Many kinds of instruments or whips could be used for a whipping, the most common being: The kurt. A stout whip, with a long handle, which might be wielded with two hands, and five soft, wide lashing thongs, each about a yard long. The quirt. As on Earth, a riding whip about two feet in length, with flat thongs. The belt. The wide and heavy man's belt is commonly used to lash the slaves. The switch. A light tree branch or similar rod, used for punishing minor faults.
Withholding food: It could be total deprivation, or putting her on bread and water. Considered a mild punishment.
Yoke, Girl or Northern: A yoke made from wood or from the bones of a whale. It consists of a rod with one hole at each end and one in the middle. The left hand is tied with a strap that is then passed to the back thru one of the end holes, then to the front thru the middle hole, wrapped twice around the slave's neck, passed again back thru the neck's hole and then to the front thru the other end's hole, to be tied to the right wrist. The slaves has so the rod on the back of the neck and one hand to each side at shoulder's height. It can be used for punishment, for transport, or for leaving a girl helpless on the furs for using her (The Goreans use to sleep on furs, on the floor or on the bed, so furs also means the bed).
Yoke, Stock: Similar to the Terran stocks, a pair of hinged planks, with matched semicircular openings for the slave's head and wrists. Is commonly used with the girl on her back. If the plank is wide enough the slave cannot see what her Master is doing.

Slave General Rules

1) All Freepersons are to be addressed as either Master or Mistress.

2) Serve EVERY Master or Mistress as if your life, or your smooth flesh depends on it for it does. A lash is quick in the hand of a Free, so is a boot into the sleen pits?
3) While a Freeperson may not always be right, they are, by definition, never WRONG. Slaves always have the last word in any disagreement?the words ?Yes Master??
4) Jealousy and possessiveness have killed more slaves then disobedience, so has having an attitude?you?re a slave, a bondmaid, REMEMBER your place.
5) Slaves do not use the first person pronoun. There is not ?I,? ?me? or ?mine? in a slaves vocabulary.
6) Learning to be pleasing and skilled slave/bondmaid is key. Learn to show excitement and to enjoy the freedoms that come with being enslaved. You are not robots or puppets. You are a collared slave, so enjoy and show as such.
7) Your collar carries the honor of your Owner. Your attitude can make it as light as a feather or as heavy as a mountain.
8) If there are none requiring service, use the time to clean, cook, bake and do the chores associated with day to day workings. Don?t be lazy.
9) Slaves possess nothing not given to them by their owner, including their name. What is given, can be taken away. If you are entrusted to carry a name for an owner, or silks, or jewelry, remember that these can be removed as easily as they were given.
10) The merest whim of your owner is your highest law. And lawbreakers are punished.
 And lastly and most important....ABSOLUTE OBEDIENCE!!!

Slave Dances

Slave dances are any of the sensuous dances performed by slave girls to entertain their Masters. Designed to display the sexual heat of the performer, and invite her use by Masters. The slave dances are in many of the Gor booksSlave:
this dance can be done in any style a girl chooses. It will begin with the girl seemingly a timid virginal creature standing uncertain in the middle of the room.. her eyes are wide and she is usually nude. She will show in the beginning of the dance that she fights being caught by a Master and then she will show how her fight slowly leaves her as the Master subdues her and makes her his own. In the final stage of this dance the girl will show her willing submission to her Master and her desire to please him in anyway. Often a chain and collar are used by a Master to "subdue" the girl.
Chain:
the chain dance is a dance where a kajira obtains a length of chain from a Master and uses it in a dance showing her submission and acceptance of being a slave. The chain will be wrapped around her body and she will writhe and fight at first but will be succumb by her desire and the fire within her belly and in the end she will rejoice at having the chain around her slave's heart.
Capture:
a dance recounting the time in a slave's life when she was captured and made a slave
Serving/Scarf:
this dance is performed using ribbons or scarves as a form of enticement for the Master. The girl will in the Serving dance offer to serve one Master in a very special way. She will then put on a costume of scarves or use a ribbon as well as a goblet which is used in this example to arouse herself and the Master falling to his knees and performing a heated serve of kalana to him.
Just remember when performing the serving dance the main goal is to make the Master desire not only the drink but the girl, however a girl's release in this dance is not necessarily obtained.
Beauty:
The girl wore Gorean dancing silk. It hung low upon her bared hips, and fell to her ankles. It was scarlet, diaphanous. A front corner of the silk was taken behind her and thrust, loose and draped, into the rolled silk knotted about her hips; a back corner of the silk was drawn before her and thrust loosely, draped, into the rolled silk at her right hip. Low on her hips she wore a belt of small denomination, threaded, overlapping golden coins. A veil concealed her muchly from us, it thrust into the strap of the coined halter at her left shoulder, and into the coined belt at her right hip. On her arms she wore numerous armlets and bracelets. On the thumb and first finger of both her left and right hand were golden finger cymbals.
Belt:
The belt dance is performed with a Warrior. The dance receives its name from the fact that the girls head is not suppose to rise above the Warrior's belt, but only purists adhere to this. Wherever this dance is performed it is essential that the girl never rises to her feet.
Needs:
This dance usually consists of five phases
First phase of this dance beginning with a girl's indifference to her situation.
Second phase will show her fears and restlessness as her desires are becoming more apparent to herself and yet she still struggles against them.. toward the end of this phase she will begin to have doubts in herself as to whether she is worthy enough to please the men around her and this will be made clear in her dance.
Third phase shows her acceptance of her desires and her willingness to please the Master's before her. The kajira will posture and present herself to the Master's with an almost "ladylike" charm and finesse. During this phase she is not yet taken by a Master even though she presents herself to them as a most willing slave and again she has questions about herself.
Fourth phase *The Heat of the Collared She-Sleen* in this phase the girl becomes wanton in her need and desire, writhing on the floor and opening herself wide for the Master's so they might see the visible evidence of her need to be used by them.
Fifth and final stage of the dance the girl continues to beg to be used.. her actions show that she knows deep within her that she is a slave and her only desire is to be pleasing. She will reach out to the Master's and beg them to touch her and make her a slave completely.
Submission:
this dance is a special dance a girl does for her one true Master. Each dance will be different and unique.
Whip:
the whip dance is a dance that involves the participation of a Master who will crack a whip above the girl's head as she dances or in many instances where the girl will be allowed the use of the whip and will crack it herself during her dance...this dance is to show a girl's fear of being punished and also the desire that can often accompany such fears..
Veil:
there is a definite progression as the 7 veils are shed from the body. You could tell the story of a FreeWoman made slave... or of a slave coming out of her shell into her full sexuality... veils shed like a cocoon.
Sa-eela:
The Sa-eela is one of the most moving, deeply rhythmic and erotic of the slaves dances of Gor. It belongs, generally to the genre of dances commonly known as the Lure Dances of the Love-Starved Slave Girl. The common theme of the genre, of course, is the attempt on the part of a neglected slave to call herself to the attention of the master. The Sa-eela, usually performed in the nude, as though by a low slave, and by a girl freed of all impediments except her collar, is one of the most powerful of slave dances of Gor. It is done rather differently in different cities but the variations practiced in the river towns and, generally in the Vosk basin, are in my opinion, among the finest.
There is no standardization for better or worse, in Gorean slave dance. Not only can the dances differ from city to city, but even from tavern to tavern, and from girl to girl. This is because each girl, in her own way, brings the nature of her own body, her own dispositions, her own sensuality and needs, her own personality, to the dance..
For the woman, slave dance is a uniquely personal and creative art form. Too, it provides her with a wondrous modality for deeply intimate self-expression.. The Sa-eela, of course is not the sort of dance which could be performed by a free woman.
Seduction:
This dance begins with the kajira standing before her Master. It is a pure, lustful seduction dance. The kajira is attempting to seduce her Master, to let him know that the fire of her desire for him is consuming her. She is trying to interest him in being pleased by her.
Love:
The Love Dance of the Newly Collared Slave Girl has many variations, in the different cities of Gor, but the common theme is that the girl dances her joy that she will soon lie in the arms of a strong master.
Placatory:
This dance is designed to assuage the anger of a Master. It is usually free-form, depending on the situation. The "Contrition Dance" of Turia is an example of a formal placatory dance.
Tether:
I jerked the tether on her throat. "This is a tether," I said, "It is to be well incorporated in your dance. You are a tethered slave. Do not forget it. You may fight the tether, you may love it. It may confine your body, you may use it to caress your body, an invitation to your master, a surrogate symbol of his domination of you. You need not dance always on your feet. A woman can dance beautifully on her knees.
Thong:
in this dance a girl has 6 leather thongs attached to her and she dances as a girl who is caught unwillingly. She will show her defiance and anger until she is at last caught up by the six Master's who hold her and presented to one Master who asked her if she is slave to which she will say loud and strong.. "Yes, I am slave!"
Tile:
this dance is done on red tiles before a Master. In this dance a girl wishes to entice a Master to use her by touching her own body and gesturing to him that she is most willing to see to his every need and is done completely upon the tiles often while a girl lays upon her back or on her belly. The girl is usually attached to a slave ring below the Master's couch.
Pole:
the pole dance is a dance in which the kajira will seemingly arouse and entice the pole or "Master" with a sensual dance that involves her touching and caressing Him (the pole) and in the end being given her release by rubbing her moist flesh against him. This dance can be done using a variety of items to secure the kajira to the pole as is the main fashion of this dance such as a Master's belt or a long silk scarf kajira may use nothing at all to bind herself to the pole as the emphasis is on the pole itself and the kajira's use of her body.

Slave Positions part 2

Bara ******** : Punishment position, girl on her belly, hands behind back wrists crossed, ankles crossed, head to the left... bound, thrown to your stomach, wrists pulled, crossed and bound behind your back, ankles crossed and bound together at times also another piece of binding fiber may be used to bind your wrists and ankles completely together, bowing your back in order to do so, in this way the slave is unable to move at all.

Belly ******** : Submissive position, girl on her belly, hands at the sides with palms up, legs spread wide, head to the left, resting her chin on the Master's feet. in this position you go to your stomach at the Masters feet, placing your chin to his feet and kissing them before turning your head and placing your cheek to his feet...if you a distance from him and are ordered to position -you would crawl upon your belly, using your fingers and toes, as well as shimmying your body across the floor to reach him where then you would kiss his feet and place your cheek against them.. if you REALLY want to show your trust and submissiveness, you would place his foot to rest upon your neck before placing hands behind back, giving him complete control of your life.
Blanket ****** :When a blanket or cloak or covering of any sort is thrown over a slave girl she may not speak or rise; she must remain silent until the blanket is lifted by a free person.
Bracelets ******* : her hips slightly turned to one side, her back and shoulders erect, her wrists crossed behind her back and her head turned to the left, in anticipation of having slave bracelets attached to her wrists; by the book, you would turn your back to the Master to have the bracelets attached, to give them better access to your wrists, making things as easy as is possible for them by the book..volume 5..page 214.. Bracelets: wrists brought behind the back and extended out, head thrown back, and to one side, Turn your back to the Master so the bracelets can be attached.
Capture*******lays down on back, bending knees to place feet flat on the ground, hands at sides and remains motionless.
Collaring ******* the slave kneels at the Master's feet and leans her body back, sitting upon her heels, with her arms extended upward, crossed at the wrists, and her head beneath them lowered in supplication...this is known as by the book submit if you are told to submit to somebody this is what they are speaking of you doing.. now. .you have two choices.. they have to collar you or kill you...it is the Master's code.. if you wish to lay yourself COMPLETELY to their hands.. you MAY lay your hands, once crossed into His, it would show your complete submission and giving of yourself
Crawl ******* gets down on all fours, palms to elbows flat on floor...buttocks in the air...forehead close but not touching the floor....crawls to just an inch from Master's feet. this is also most often a punishment position, if you have done badly...and KNOW you have done EXTREMELY wrong..you may do this crawl to go to your Master or Mistress to beg forgiveness; do NOT want to drag your forehead on the ground here.
Display*******stands, feet about shoulder's width apart, fingers laced behind the neck with elbows back, head up and eyes lowered.
Gorean Bow ******** kneels in nadu position, she bends her body backwards, her head to the floor; she places her hands by her head, and pulls up into a back bend. (this position is very painful to maintain for longer than 5 min) Hair ****** the slave stands, her feet flat on the floor, and bows gracefully at the waist, so that her hair might fall forward for display, or to be shorn, seized, or used for any purpose that the Master desires. as you know many things are done with your hair from being led around, wiping dust from an object, to bathing your Master
Hair*******Bends at the waist at Owner's side to be lead by the hair, never rising.
Heel ******* goes to Master and kneels in nadu behind and to his left...one step back and one step sideways awaits further orders...this command MAY follow lesha the Master may also command this position of you without the leash if he knows he can trust you..in accordance with volume 11 you would stay to his LEFT side.. by keeping 1-2 steps back..you would be well enough out of the way if he should have to draw his sword..you will have no problem keeping your pretty neck..by the book...volume 11...if you are seen on the Masters right side it is said to be thought that the slave is in disfavour.. many times, if you are with the Master, following him in heel...and in a busy place, he may require you to press your body to his left shoulder and back..so that he will know you are with him, but that is rarely done.
High-Harness*******holds head very high, exposing the neck.
Karta ******** kneels and touches her forehead to the floor ... stretches her arms out before her with palms face down and fingers spread. as stated earlier you would immediately drop into nadu, and describe position. (kar-ta....is at the entry) kar-ta is most widely used at the door to beg entry...; tis also the position that is used to beg anything.
Kneel at the Coffle*******nadu, and lift either the left or right wrist outward, depending on the type of coffle, so that the wrist can be attached to a wrist ring within the coffle chain.
Leading*******moves behind Owner, slightly to the left or right side, depending on which hand is dominant, bending at the waist, with hands behind back and placing the side of the head to the Owner's hip, that way can be lead by the hair while walking.
Lesha ******** Standard kneeling position, girl on her knees, eyes lowered. Her chin up, her head high and turned to the left so a leash may be attached to her collar, with her chin up and her back and shoulders straight. Her wrists are extended behind her, side by side, in a position to be locked into chained slave bracelets.
Nadu ******** This position is meant to be a proud one for the slave, her head high in the honor of serving you. In this position the slave kneels, she sits upon her heels with her shoulders and back straight, her breasts thrust out her belly in, and her head held high and her eyes lowered in respect. Her thighs widely spread, her hands rest upon her thighs palms up.
Nestle*******fits against the Owner's side, snuggling into the crook of the arm.
Obedience*******lays on belly, down beside Owner, placing chin on feet.
Obeisance ***** The slave goes to the floor, laying upon her stomach, face down before the Master. She turns her head and places her cheek against his feet, kissing them lightly in a gesture of love and submission. you can even place their foot to rest upon your neck would NOT suggest you use this position with just anyone.
Prostrate*******kneeling, forehead to floor, arms stretched out with palms faced down and fingers spread.
Run*******runs, keepin legs rigid and unbending at the knees, short rapid steps. Feet must stay close to the surface of floor or ground.
She-Sleen ****** the slave falls to her hands and knees, her head down on the floor, her hindquarters up thrust for viewing and/or her Masters pleasure (either sexual or whipped upon the bottom)...serving in this position of the she-sleen is an instruction whereby the slave performs her regular duties while upon her hands and knees without the benefit of the use of her hands, now in this position she may NOT rise to her feet and may use only her mouth and teeth to grasp and manipulate objects...this position can be one of either punishment or pleasure.
She-Quadruped*******used for punishment. Stays on all fours, like an animal and cannot speak or reach for things with hands. Sometimes, even tricks are taught without the help of verbal clues.
Slaver's Kiss ******* The slave falls to the floor upon all fours, and lowers her head to the ground, with her buttocks thrust upward and her thighs widely spread, exposing her hindquarters fully in preparation for the caress of the whip.
Slave Lips ***** the slave turns her head up to the Master, her lips pursed in a sensual kissing position. She remains motionless, her lips thusly puckered, and may not move until she is granted the kiss of a Master...by the book, volume 3 page 235, the description is...lips: go to your Master, when ordered, and show your love for Him, kissing Him and savoring His lips
 Slave Rape*******there are many types, but the standard is to lay still and supine in preperation to be raped.
Standard Binding*******lay on the ground, wrists crossed behind the back with ankles crossed, ready to be binded by fibers or bracelets.
Submission*******kneels bends at waist, places cheek to the floor, takes the Owner's right foot and places it upon the neck, crossing wrists behind the back.
Sula ********* a slave lays upon her back, her hands at her sides, palms upward, her legs widely spread, left knee bent and pushed out a bit, eyes lowered, to await her Master's pleasure. Now this position IS in the book, but it was not given a name; specifically it was in volume 6; most often this position would be done in the privacy of an alcove, when you are pleasuring your Master
Sula-ki ******** This position is almost identical to the Sula position, except once the slave has assumed the Sula position she slowly lifts her hips up off the floor, as if beckoning him with her body, encouraging her sexual use by him. here, your feet would be planted on the floor, knees bent so you can raise your body up to him, once you are in the air...stay still, do NOT pump the air.
Table*******move to hands and knees, locking elbows, knees spread and firmly to the floor, make back smooth and level, head held level ((can be used to set things on or as a foot rest)).
Tower **** she kneels with her knees together & with her wrists crossed in front of her, as if for binding, palms flat and facing downward (for one is not offering) Also, male slaves are to kneel in tower at all times, unless told otherwise.
Usage*******on hands and knees, legs parted widely, head straight, hair falling across back, remains motionless, waiting for commands.
Walk *** When this command is given, a slave turns gracefully, her hair caressing her body as she turns. She walks quietly across the room, her feet hardly seeming to leave the ground, her hips swaying sensually, her body erect and proud. When she reaches her objective she halts and stands, her body erect, her shoulders back, her chest thrust forward, her belly in. She turns her hips out a bit, her hands at her sides, and points one foot. Her chin is held high and her eyes are lowered.
Whipping *** A slave quickly drops to her knees and raises her hips. She places her head to the floor and then crosses her arms across her belly. She waits motionless ready to accept her Master's punishment. Slave's with long hair will pull their hair from their backs so their backs are exposed for the whip.